All posts by Roland Mann

22Sep/20

Cat & Mouse #3 + Trumps Book 1 kickstarter is live!

But…you knew that?

Okay, so I totally flaked on getting this out last week. It is NOT Silverline’s web wrangler Tim’s fault—totally mine for missing it. Thing is, I had most of the below written, I just got so caught up in getting the kickstarter started…I honestly just forgot this. And I feel bad because I know some of you rely on these for your Silverline news. Yes, you may hurl barbs at me—I’ll take them.

But yes, the kickstarter is live! And this one is going to be shorter than any kickstarter we’ve ever done. In fact, there are only 11 days remaining! We decided that 28 day campaigns are just too long—there’s generally a week a half in the middle of the campaign when there are zero pledges. That not only twists the nerves in the stomach, it causes lost sleep! We shortened it by 10 days, hoping to avoid SOME of that lull in the middle.

Anyway, it’s live now and like the last two, it’s another double feature! This time, we’re bringing you Cat & Mouse #3 along with Trumps Book 1. Like the previous kickstarters, these comics are finished and ready to print (a few pages left to letter—and a page left to color for Trumps, but they’ll be done by the time the campaign ends). Cat & Mouse #3 is 22 pages, and Trumps is 48 pages long—it’s the length of TWO comics…so, theoretically, there are THREE comics in this kickstarter!

As always, we’re offering some really nice kickstarter exclusive covers, but we’ve got alternate versions you can choose from. The kickstarter exclusives are—well, exclusive and the only way you can get those covers. Variant covers are done by: Alex Gallimore (Cat & Mouse “A” cover); Thomas Hedglen (p), Thomas Florimonte (i), Sid VenBlu (c) (Trumps “A” cover); Peter Clinton (p), Thomas Florimonte (i), Roberta Conroy (c) (Cat & Mouse “B” cover); Alex Sarabia (p), Barb Kaalberg (i), Sid VenBlu (c) (Trumps “B” cover); Dean Zachary (p), Barb Kaalberg (i), Roberta Conroy (c) (Cat & Mouse “C” cover); Steven Butler (p), Thomas Florimonte (i), Sid VenBlu (c) Trumps “C” cover).

There’s also so much original art on this one, if you’re a fan of original art, you’d be silly not to at least check it out. Lots of cool stuff to be had—mostly, it’s comic books, though! So jump on over and check it out.
Also, don’t forget that you can catch Silverline live twice a week: Sundays and Wednesdays feature an assortment of us talking about various comic book things—yes, we’ll take requests!
We start at 9pm (EST) each night.
You can find us live on Facebook https://www.facebook.com/SilverlineComics/
On youtube: www.youtube.com/silverlinecomics
And even on Twitch: https://www.twitch.tv/silverlinecomics/
(you can make 60 second clips on Twitch—you should check that out! It’s kinda fun!)
Thanks, as always, for your support. We couldn’t do any of this without you.

https://www.kickstarter.com/projects/rolandmann/trumps-and-cat-and-mouse?ref=8qxnof

25Aug/20

Silverline Creator Spotlight: Jeremy Kahn

Each month we’ll be shining the spotlight on a Silverline creator and sharing their secret origin story, learning what makes them tick, and giving you the scoop on how they came up in the comics world.  

Up this time is Jeremy Kahn, a comic book artist who has worked for such titles as The Pink Panther, Rocky and Bullwinkle, Casper the Friendly Ghost, Hot Stuff…as well as his work for Silverline Comics, of course.

Now, without further ado, we present to you…

12 Questions with … Jeremy Kahn

SILVERLINE: So, who are you and where do you hail from? 

The name’s Jeremy Kahn.. I hail from Poughkeepsie, NY.

SILVERLINE: What would you say it is you do here at Silverline?

I mainly color comic pages for Silverline (at least that is what I’d say I do if asked)

SILVERLINE: Where might Silverline readers have seen your work previously?

Previously, I have done coloring work for American Mythology on a number of their kid titles such as Casper the Friendly Ghost, Hot Stuff, Rocky and Bullwinkle, The Pink Panther, and The Ant and the Aardvark among other titles.

SILVERLINE: When you’re not making great Silverline comics, what do you do in your spare time? What are your hobbies?

I love reading, especially Japanese light novels. One of my favorite series I’m reading right now is Ascendance of a Bookworm. I’m always anticipating the next chapter release for that series. I even got a timer set on my phone for Monday when the new chapter goes live on J-Novel. Aside from reading, I also enjoy playing video games (mostly on my computer and Switch). I also collect style guides. I got a pretty large collection of them ranging from 60s Hanna-Barbera to late 2000’s Pokemon. Just recently I obtained a style guide for the manga Bleach and the animated series Tiny Toons.

SILVERLINE: Many creators at Silverline have been in the comics industry for years — what’s kept YOU plugging away at comics?

I’ve loved comics since I was very young and I love getting to contribute to a medium that has brought me such joy for such a long time. I was introduced to comics through my father and have had many interesting conversations with him through the years. I like being able to share that interest in as many ways as possible with as many people as possible.

SILVERLINE: What was the first comic you remember reading that made you think, “Hey, I could do this!”

My very first comic was Archie’s Sonic the Hedgehog #33. It was both my first comic and the first thing to spark my interest in learning more about comics in general. It helped that my dad was a big comic collector as well. So, through him I got introduced to tons of other comics and learned of other genres and styles (he even was the one who introduced me to manga). My interest just kept growing till I decided I wanted to give it a go as well.

SILVERLINE: What’s on your playlist? Who/what music do you listen to, and do you listen to it while you work?

Anisong and Broadway soundtracks make up my playlists mostly. I also like artists from videogames like Crush 40. I also subscribe to an artist on Patreon, AmaLee, who sings English covers of anime openings and closings.

Aside from music I also listen to a few podcasts like Talking Simpsons and Retronauts.

SILVERLINE: Who were some of your earliest influences on your art ?

This first one I actually got to know personally, David Tanguay. He did a lot of coloring work on DC kid titles like Looney Tunes, Scooby Doo, PowerPuff Girls among others. These were comics released back when digital coloring was new and was first being tried out at major publications. So, you’d see some interesting color choices being made as colorist were getting the hang of this new technology.

I also have a lot of respect for Barry Grossman. He colored comics ranging from Archie and Hanna-Barbera to DC and Marvel titles. A very versatile colorist.

Later on Ben Huzenker was a big influence for me, too. I was actually lucky to get a one on one skype lesson with him at one point. He set up a Go Fund Me page to acquire funds for some new equipment and one of the tiers was a skype coloring lesson. That was hard to pass up.

SILVERLINE: What was the first comic you ever worked on professionally?

Well, the first one I rather not mention as the publisher owes me money for that (they actually owe a number of artists money, but that’s a whole other thing in itself). So, I’ll skip ahead to a comic I colored called The Undead. It was a one-shot comic done as a tie in to an indie horror film.

SILVERLINE: Can you still read that comic today without wincing?

Lol. I don’t think I made it a year. It is amazing how much you can improve in a short time when you dedicate yourself to practicing and honing your craft.

SILVERLINE: What are some non-Silverline independent comics you would recommend to readers?

That’s a toughie. My first thought is to say something like Lucky Luke or Asterix, but that is too obvious. I could mention a weird one like Keiichi Arawi’s City or a more job related one like Monthly Girls Nozaki-kun. But, I think I’ll throw caution to the wind and just recommend Yuri is My Job.

SILVERLINE: If you could go back in time and give your younger self one piece of advice that would help them better navigate the comics industry, what would it be?

So, this question I really wanted to make a joke about telling myself to give up and go pursue that path in Paleontology instead. But, that kinda sidesteps the question a bit too much, I think. So, for some serious advice I’d say look at what interests you and try to incorporate that into your art when you practice. When you work with something you like you can get more motivated. Early on, the more motivated you can get, the more you can get a grasp on the basics and build off of there.

SILVERLINE: After you die, would you rather your memory be memorialized with an overpass or a parking lot?

I’d say overpass. When the world floods, the parking lots will be first to sink. The overpasses will at least hang around in view a bit longer.

Silverline: You can find Jeremy’s work in Silverline’s Bloodline and Krey.

14Jul/20

Silverline Creator Spotlight: Steve Mattsson

Each month we’ll be shining the spotlight on a Silverline creator and sharing their secret origin story, learning what makes them tick, and giving you the scoop on how they came up in the comics world.  

Up this time is Steve Mattsson, a comic book artist whose work in comics began in the 1980s!

Now, without further ado, we present to you…

12 Questions with … Steve Mattsson

SILVERLINE: So, who are you and where do you hail from?

My name is Steve Mattsson and I live in the lovely city of Portland, Oregon.

SILVERLINE: What would you say it is you do here at Silverline?

Add color to the beautiful artwork of Alex Sarabia and Barb Kaalberg for the new series Divinity.

SILVERLINE: Where might Silverline readers have seen your work previously?

I colored lots of DC and Marvel covers. I also colored long runs of Green Lantern and Untold Tales of Spider-Man.

SILVERLINE: When you’re not making great Silverline comics, what do you do in your spare time? What are your hobbies?

My day job is working as a paramedic in the emergency department of a large hospital in Portland. Because of “circumstances,” I’ve been putting in copious amounts of overtime. Once the world returns to normal, I look forward to hiking and climbing with my wife. I also have a side hustle as a SAG eligible actor that is currently on hold. You can check out some of the bits and bobs I’ve done at my IMDB page. https://www.imdb.com/name/nm4590371/?ref_=fn_al_nm_1

SILVERLINE: Many creators at Silverline have been in the comics industry for years — what’s kept YOU plugging away at comics?

I actually took a long break from comics and it was a perfect storm of Barb Kaalberg’s passion for Divinity and my daughter Sage’s interest in coloring comics that brought me back.

SILVERLINE: What was the first comic you remember reading that made you think, “Hey, I could do this!”

The issue that got me hooked on comics was The Brave and the Bold #106 featuring Batman and Green Arrow vs. Two-Face. The story was drawn by Jim Aparo. This team-up title introduced me to many heroes in the DC Universe. The big draw, though, was Aparo’s artwork. He had a effortless spontaneity to his line that, somehow, resulted in realistic images. His work became a lifelong favorite of mine. I had a dream come true when I co-wrote a story that he illustrated in Superboy and the Ravers #8.

SILVERLINE: What’s on your playlist? Who/what music do you listen to, and do you listen to it while you work?

I listen to a lot of ‘80s punk. A contemporary band whose music I enjoy is Skating Polly. https://www.skatingpolly.com/ They have also, obviously, listened to a lot of ‘80s punk. For contrast, I also listened to several L. Frank Baum “Oz” books on Audible while coloring Divinity.

SILVERLINE: Who were some of your earliest influences on your art?

I had a wonderful art teacher in high school who was into comics and I had the very good fortune of working for Paul Gulacy as his assistant. Both experiences were priceless.

SILVERLINE: What was the first comic you ever worked on professionally?

I colored Gulacy’s cover of Miracleman #5 for Eclipse Comics.

SILVERLINE: Can you still read that comic today without wincing?

Oh yeah. I loved Alan Moore’s work on the title and I didn’t screw up my bit.

SILVERLINE: What are some non-Silverline independent comics you would recommend to readers?

I’m enjoying Karl Kesel’s Section Zero from Panic Button Press https://www.panicbuttonpress.com/ and Ron Randall’s Trekker https://trekkercomic.com/ Both titles are self-published, Kickstarter funded, and worth your support.

SILVERLINE: If you could go back in time and give your younger self one piece of advice that would help them better navigate the comics industry, what would it be?

If one of the founders of Image Comics asks you to color his new series for a percentage of profits, but no upfront money, take the deal.

SILVERLINE: After you die, would you rather your memory be memorialized with an overpass or a parking lot? 

Neither, I’d like my memorial to be a long run of Divinity from Silverline Comics!

07Jul/20

Kickstarter is live!

We’re live!

Hey everyone! We’re back again for another double feature kickstarter as we bring you Bloodline one-shot, and Friar Rush #1 (of 3). Let me be quick to state upfront, that like all previous (and future!) Silverline kickstarters, both of these comics are FINISHED. We just need you to help us get the funds to print and ship them.

Both projects date back to Silverline 2.0 (the late 90s). Bloodline was completely finished (in black and white) and Friar Rush was penciled. Unfortunately, the industry crash that affected so many, also caused Silverline to cease production. The art was sent to writer Sid Williams with the idea that he might decide to do something with them later. Fast forward to last year when Silverline relaunched and I reached out to Sid to find out if he still had the art for both projects. He did. So we found Jeremy Kahn to add colors to Bloodline (penciled by Rob Sacchetto with inks by Terry Pallot), and we got John Martin to ink Aaron Humphres pencils on Friar Rush, while Rebecca Winslow added color…and we’re quick to say that BOTH comics look fantastic!

Like the last kickstarter, the primary kickstarter version is a flip book. The kickstarter covers are by Steven Butler (Bloodline); Aaron Humphres and Rebecca Winslow (Friar Rush #1). Every single page of original art (in some state) is available—that’s a LOT of original art! At the encouragement of several of you, we added a “variant cover” for both books. The variant for Bloodline is done by Cat & Mouse penciller Alex Gallimore, and the variant for Friar Rush #1 is done by John Martin and Mickey Clausen.

The variant covers

The variant covers

Lots of cool stuff to be had—mostly, it’s comic books, though! So jump on over and check it out.

https://www.kickstarter.com/projects/rolandmann/bloodlineandfriarrush1?ref=600gof

Also, don’t forget that you can catch Silverline live three times a week: Sundays and Wednesdays feature an assortment of us talking about various comic book things—yes, we’ll take requests!

Monday is a 1on1 where we sit down with a single Silverline creator and just have a chat with them.

We start at 9pm (EST) each night.

You can find us live on Facebook https://www.facebook.com/SilverlineComics/

On youtube: www.youtube.com/silverlinecomics

And even on Twitch: https://www.twitch.tv/silverlinecomics/

(you can make 60 second clips on Twitch—you should check that out!)

Thanks, as always, for your support. We couldn’t do any of this without you.

09Jun/20

Silverline Creator Spotlight: Thomas Florimonte

Each month we’ll be shining the spotlight on a Silverline creator and sharing their secret origin story, learning what makes them tick, and giving you the scoop on how they came up in the comics world.  

Up this time is Thomas Florimonte, a comic book artist who has worked for such companies as Marvel, DC, Gallant, Chaos, Malibu, and others…as well as Silverline Comics, of course. Tommy is also a partner in the premiere digital comic printer, Ka-Blam.

Now, without further ado, we present to you…

12 Questions with … Thomas Florimonte!

SILVERLINE: So, who are you and where do you hail from? 

Hi! My name is Thomas Florimonte, Jr. Although I never developed that sweet southern accent, I grew up in south Mississippi. I now live in the central Florida area with my wife Rene’. So I guess I’m officially now a Floridian.

SILVERLINE: What would you say it is you do here at Silverline?

Currently, I’m inking the upcoming title Trumps. BUT this isn’t the first Silverline-ish book I’ve worked on. Back in the day, I inked several of the original run on Cat & Mouse and Demon’s Tails. AND have worked with Roland Mann on so many books for Silverline, Malibu Comics and others. I give Roland, along with buddies Steven Butler and Mitch Byrd the credit of helping me break into the comic business and giving me some of my first paying work.

SILVERLINE: Where might Silverline readers have seen your work previously?

I broke into the comic biz way back in the early 90’s. In that 25+ years, I’ve racked up a long list of comic creator credits (writing, penciling, inking, coloring, publisher…) and have worked for just about every major publisher out there: Marvel, Malibu, Chaos!, Acclaim, Gallant Comics (to name a few), working on various titles such as Spiderman and Lady Death to Magnus Robot Fighter & Nightman… I’m still plugging away with my own creator owned projects through INFERNO Studios’ line of Kid Hero comics: Zomboy: Kid Hero, Lil Na’ & SoSo, Vinny: Things that go WOOF in the night… My latest projects include new issues of Mystery GirlzZomboy: Kid Hero  (INFERNO Studios), Miniature Man (Gallant Comics / Inks) and a new upcoming project titled Trumps (Silverline / Inks). I also co-own and run the very popular comic printing company: Ka-Blam Digital Printing- The one stop print house for all comic creators. And also IndyPlanet– A online print-on-demand comics shop that works directly with Ka-Blam.  

SILVERLINE: When you’re not making great Silverline comics, what do you do in your spare time? What are your hobbies?

Other hobbies? Who has spare time?  My main time sink is keeping up with the day to day running of Ka-Blam Digital Printing. Oh- Did I not mention that I’m co-owner of the best print-on-demand comic printer in the world? I am, so when I’m not printing other people’s comics, inking the Silverline Trumps comic I’m working on my own creator owned Kid Hero line of comics from INFERNO Studios (www.infernostudios.com): Zomboy, Lil’ Na and SoSo, Mystery Girlz… Did I forget to say that what little time I have left, I spend it all with my wife and friends at the Disney Parks and riding my bike. I try to put in 10-30 miles a week on on my bike. More if I can.

SILVERLINE: Many creators at Silverline have been in the comics industry for years — what’s kept YOU plugging away at comics?

Always loved comics: Read them as a kid. Read them as a teen. Read them in college. Started making comics professionally right out of college. Started a business to print comics for myself and others shortly there after. Still doing it now. Doesn’t feel like a job. In fact, I’ve always said I doing my best not to get a real job.

SILVERLINE: What was the first comic you remember reading that made you think, “Hey, I could do this!”

Never thought that. But my first comics, though I didn’t know they were comics, had to be Sunday strips in newspaper. Loved reading Peanuts and all that stuff when I was younger.. But comics- I fell in love with Spiderman as a kid. Always have and still am. Doesn’t matter what it is- Spiderman and his bunch are my favorite. I read other stuff, both Marvel and DC, but Spiderman… That and Star Wars was what I nerded, before being a nerd was cool, out for. Anything and everything that had the web head or Darth Vader I could get my hands on, was mine. I’m so easy to buy for.
So when it looked like I was going to start making comics, in the back of m mind, my main objective was to work on the Spiderman comics. AND I did.

SILVERLINE: What’s on your playlist? Who/what music do you listen to, and do you listen to it while you work?

Music- NO. I watch TV when working on comics. I learned a long time ago that I could watch TV and work on comics at the same time. Not a problem.  I’ve also thrown in Podcasts. And now that I draw and ink everything digitally, I don’t spill ink all over the couch.

SILVERLINE: Who were some of your earliest influences on your art ?

I’m all over the place. I really don’t have one. Everybody I guess. I’ve had the knack of being able to analyze different styles then pick the stuff I wanted to copy. But I’d say, if there’s any one style I’m known for, most everyone likes the clean dynamic lines I get.

SILVERLINE: What was the first comic you ever worked on professionally?

While I worked on a TON of uncredited background work, my first published book was on Scum on the Earth from Aircel Comics (one of Malibu Comics imprints).

SILVERLINE: Can you still read that comic today without wincing?

Better yet. I still have several hundred copies of it in my garage AND also still have some of the original pages.

SILVERLINE: If you could go back in time and give your younger self one piece of advice that would help them better navigate the comics industry, what would it be?

I think I did pretty well: I got in young. Worked on a ton of books. Met a ton of people. Made just as many friends. Had a great time doing so. Fans liked my work. What more could I ask for? I’m still in the business. I always knew that only a few could be “Super Stars.”

SILVERLINE: After you die, would you rather your memory be memorialized with an overpass or a parking lot?

Die? Who’s doing that? Never going to happen. But… Overpass or Parking lot? Neither. I’d like a INFERNOCoaster. Yeah!!! Make a roller-coaster in my name. I’m going to start working on that now. Fun 🙂

 

02Jun/20

Silverline News: Double Feature KS ending in four days

Close as of this writing!

The kickstarter for the Silverline Double Feature of Divinity #1 and Twilight Grimm #1 is close to making goal as I write this up. Currently, there are 134 backers pledging $5,576 making 92% of goal. If you’re reading this and haven’t backed, remember that the comics are done, we just need the funding to print and ship them to you! And of course, we know you’re going to love them. So get on over and pledge if you can: https://www.kickstarter.com/projects/rolandmann/silverlinedoublefeature1

Silverline Live now 3 times a week!

Yep, it’s true, and that’s our big news this week. Tomorrow (Wednesday, June 3), longtime Silverline creator Sidney Williams will be talking with a good bit of the creative teams behind Divinity and Twilight Grimm. We have it on good authority that even R.A. Jones will be joining the group via phone! https://www.facebook.com/events/2660675587554560/

Then, Sunday night (June 7), Roland will talk with a host of those who weren’t part of the Wednesday chat. They’ll talk about crowdfunding in general. Then, on Monday night, the first Silverline Live: 1on1 will debut as Roland sits down to talk with Thomas Florimonte (who will be inking at the same while he talks!).

So, if you’ve got questions, post them on the Silverline FB group page. We’ve created event pages on FB as we’re going to try them out, see if they work to help generate questions before we go live.

Next Kickstarter

Kickstarter Exclusive cover by Steven Butler

We know the current one isn’t over yet, but we wanted to let you know that we already know what we’ll be kickstarting in July, after we’ve got fulfillment (or at least most of it) for the Silverline Double Feature #1 done. July will see two Sidney Williams written comics: the first is Bloodline, an adaptation of the short story written by Sid and Robert Pettit. Bloodline is penciled by Rob Sacchetto, inked by Terry Pallot, and colored by Jeremy Kahn. The other is Friar Rush #1, the first of a three issue mini-series. It’s penciled by Aaron Humphres, inked by John Martin, and colored by Rebecca Winslow. And oh—guess what, BOTH of these are already finished. RIGHT? Two months before we even crowdfund, these are done!

Don’t forget to like us, follow us, heart us, favor us, subscribe to us, and all those social media things! As always, thanks for your support!

13May/20

Silverline Double Feature kickstarter is live!

Silverline Double Feature kickstarter is live!

If you follow any Silverline social media at all, you’ve seen us post SOMETHING over the last two weeks about our two exciting new titles: Divinity and Twilight Grimm. Our kickstarter is live now, and as I type, we’re 25% funded, so we’re very excited that it is going so well out the door. So, what are they?

Divinity

…is the story of Divinity Gray, an eleven year old girl whose life changes forever after the suspicious death of her parents. Marine Sgt. Zach Gray, the older brother she barely knows, becomes her guardian, but when he discovers Divinity’s mysterious healing powers, their lives take a dangerous turn. With the help of a few friends, Zach and Divinity must go on the run to keep Divinity—and her powers—out of the hands of an evil cabal.

Kevin Van Hook, filmmaker and creator of Bloodshot said this about Divinity: “Divinity #1 manages to bring a fresh take to this story of a young girl with mysterious healing powers. Alex Sarabia’s pencils combined with veteran inker Barbara Kaalberg keeps the tale moving and makes you care for the characters as you’re along for the ride. Good stuff!”

Maggie Thompson said, “It’s one of the moments that tells the reader a comic book has succeeded. It’s the moment when the reader says, “Hey! That’s all I get right now? What happens next?

       “That reaction means the story works. It means the elements have gone together to make a great mix. It means the reader cares.

       “And that’s the reaction readers will have, when they get to the last panel of Divinity #1. It’s the issue that introduces the Marine who’s had to return to the States to take care of his half-sister. And it introduces the girl who has a talent neither of them can explain.

       “Now the question is: How long will reader have to wait until #2? Because they’re going to care.”

Divinity is by: creator/co-writer/inker Barb Kaalberg, co-writer R.A. Jones, penciler Alex Sarabia, colorist Steve Mattsson, and letterer Mike W. Belcher.

Divinity #1 is full color, 22 pages. #1 is the first of a four-issue mini-series. The comic is COMPLETELY FINISHED.

Twilight Grimm

Twilight Grimm is by R.A. Jones and Rob Davis. They are joined by colorist Mickey Clausen and letterer Mike W. Belcher.

Twenty years ago, the  city of Hallowed Heights was nearly destroyed as the result of warfare between  humans and vampires. In its aftermath, the  two factions forged a most unusual “peace plan.” A high and heavily  guarded wall now splits the two sides of the city.  On one side of the wall  reside the middle and upper classes of humans.  It is clean, beautiful and  safe.

On the other side of the  wall, where a teenaged petty thief named Suzi Q has just been exiled, lies the  darkest and most horrible ghetto imaginable.  Here, amidst squalor and  vice, dwell the poor, the homeless, the forgotten.

And the vampires, led by the family of Gregor Radovic.

As long as the vampires stay on their side of the wall, the humans on the other side are willing to  pretend they don’t exist and let them rule over this so-called “Blood Zone” as  they see fit.  This includes turning a blind eye as the vampires feast upon the Zone’s human inhabitants.

Amidst rumors that the long-held truce may be unraveling, there is no human law in the Blood Zone —  save for that dispensed by a mysterious and violent young man who has appointed  himself its sole guardian from the depredations of the vampires.

His name is…TWILIGHT GRIMM.

Twilight Grimm #1 is a supernatural/horror comic; full color, 22 pages. #1 is the first of a four issue mini-series. The comic is COMPLETELY FINISHED.

Silverline Live

We’re working on over two months of Silverline Live and it’s going well. So well, of course, that we’re going to increase our frequency in June. More about that as we get a little closer. Please, if you haven’t already, consider subscribing to our youtube channel: https://www.youtube.com/silverlinecomics

New Projects

We’re not going to go into them just yet, because it’s a little too early…but in the last 2 weeks, we’ve started THREE, yes, T-H-R-E-E new projects…and we can’t be more excited.

Remember, Make Mine Silverline!

05May/20

Silverline Creator Spotlight: Luis Czerniawski

Each month we’ll be shining the spotlight on a Silverline creator and sharing their secret origin story, learning what makes them tick, and giving you the scoop on how they came up in the comics world.  

Up this time is Luis Czerniawski, a comic book artist who has worked for such companies as IDW, Image, and Amigo Comics…as well as Silverline Comics, of course.

Now, without further ado, we present to you…

12 Questions with … Luis Czerniawski

SILVERLINE: So, who are you and where do you hail from? 

I’m a simple man (like the song) with a lot of dreams. I’m from Buenos Aires, Argentina, but still trying to find my ship to return to my planet.

SILVERLINE: What would you say it is you do here at Silverline?

Here I am, working with good people and doing interesting and fun things for readers, those people like us who wait there trying to read something new every day… oh, and trying to dominate the world.

SILVERLINE: Where might Silverline readers have seen your work previously?

I’ve done a lot of things, IDW publishing, Zenescope entertainment, Mohak media, Avatar press, Amigo Comics, SQP, and  hundreds of pages and covers with James Heffron and many many independent jobs.

SILVERLINE: When you’re not making great Silverline comics, what do you do in your spare time? What are your hobbies?

Draw and draw things for me. I also take care of my plants. I like to be surrounded by green and cats. I also watch TV series, etc. … simple things can also be great.

SILVERLINE: Many creators at Silverline have been in the comics industry for years — what’s kept YOU plugging away at comics?

It’s a beautiful road but sometimes difficult. Most of the cases work like in soccer leagues, big and small: some arrive, others don’t … but there they are. In my case, I never stopped being. It’s one way and I’ll never lower my arms.

SILVERLINE: What was the first comic you remember reading that made you think, “Hey, I could do this!”

I was very young. I don’t remember exactly which one was the first, but I remember the drawings were from Kirby and other title of Batman with Deadman maybe from the ’70 by Neal Adams. My mother still keeps my version of that inked cover imitating Neal.

SILVERLINE: What’s on your playlist? Who/what music do you listen to, and do you listen to it while you work?

Love music and I can’t be without it. In fact, I sang in heavy metal bands. Yes, please don’t laugh. And I still listen to some classic bands like Queensryche. I listen to a lot of progressive rock, old and new, from unknown bands or underrated ones, like Road, that maybe they have only one disc but they are great, to Opeth. I also listen to Neil Young, Patrick Watson (Love song for robots),White Buffalo, etc ,uffff a lot !!!

SILVERLINE: Who were some of your earliest influences on your art ?

As I said before, it was definitely Kirby. I read too many horror magazines with lot of great artists from the 70s that I don’t remember the names of … and then Moebius.

SILVERLINE: What was the first comic you ever worked on professionally?

My first professional comic was for IDW, a long time ago; a miniseries called CVO, African Blood.

SILVERLINE: Can you still read that comic today without wincing?

Oh, yes I can read it but not look at it, hahahaha. It’s a good story, like the one El Torres writes.

SILVERLINE: What are some non-Silverline independent comics you would recommend to readers? (no Marvel or DC, please)

I wouldn’t know which ones exactly, there are many new and interesting things to read. Amigo Comics has many interesting things, or look for something old.

SILVERLINE: If you could go back in time and give your younger self one piece of advice that would help them better navigate the comics industry, what would it be?

Ohhh, it’s a good question. I would say come out, not to stay behind the hidden curtains, that nothing matters to you, show what you do!!!

Luis is penciling and inking Silverline’s Kayless!

14Apr/20

Silverline starts a Facebook “Group”…and other news

Join the chatty fun!

After last week’s stream, it was determined that Silverline Comics needed more than just a Facebook “page,” it needed a Facebook “Group,” so all interested parties would have greater opportunity for interaction with readers, fans, and creators. Thus, the Silverline Group page is here: https://www.facebook.com/groups/1065603887155592/. Please go join and chat with us there!

Kayless #2 kickstarter a success!

Thanks to all who helped bring Kayless #2 to life! We’re simply waiting on the funds from kickstarter, then we’ll get it printed and shipped! As a reminder, remember, it’s done! And we can’t wait for you to see it!

Covid-World

Most of us are living under quarantine in this Covid World. It’s just flat strange. That does give a lot of folks more time to read, and it gives many of the Silverline creators more time to MAKE AWESOME COMIC BOOKS FOR YOU! Stay safe!

Tune in to Silverline Live stream

Whether it’s just timing and strange luck, SILVERLINE LIVE started about the same time as the quarantine orders began. Tomorrow will be our fifth straight week. Just to let you know some of what we’ve been talking about:

  • Issue #1 was just a general chat and introduction (we’re calling our episodes “issues.” I know, I know…but we’re COMIC folks, whaddaya want?).
  • Issue #2 we started our “Craft” segment and discussed PLOT. The craft segments will hopefully go hand-in-hand with the craft segments on this page that Silverline Associate Editor Tim Theissen has been doing a great job on! This issue also featured the debut of Silverline Indy Comic Reviews as Silverline friend Martin Pierro of Cosmic Times did his first crowdfund comic review. Martin reviewed the kickstarted Broke Down and 4 Dead bodies. Martin should return for another crowdfund comic review in two weeks.
  • Issue #3 was part 1 of the Craft segment PROTAGONIST.
  • Issue #4 featured a gaggle of us talking about Covid and how it is and has affected the comics industry.
  • Issue #5, tomorrow night, will be part 2 of the PROTAGONIST segment.

You have 3 options to watch us live:

  1. On twitch:  https://www.twitch.tv/silverlinecomics/
  2. On Facebook live:  https://www.facebook.com/SilverlineComics/
  3. On Youtube live: https://www.youtube.com/channel/UCD_wuBxQzysURBxKkW-T5wg

Whatever your viewing choice is, please considering liking, subscribing, following, etc…and sharing! Come watch us live if you can—ask us some tough questions!

Silverline month at Comic Chat Authority

Comic Chat Authority head honcho, Cody Johnson asked Roland if there would be any interest in a Silverline month. Dedicated followers here might remember that CCA gave Silverline a pretty good review not long ago (https://youtu.be/d7VGh8AIfR8) sparking their interest in talking with a bunch of us. SO, Silverline month start this coming Saturday!

April 18 = Sidney Williams
April 25 = Alex Gallimore
May 1 = ME (Roland Mann)
May 9 = Barb Kaalberg

Upcoming Silverline Comics!

May will see the kickstarter for Divinity #1 and Twilight Grimm #1. Divinity is created, inked, and co-written by Barb Kaalberg, co-written by R.A. Jones, penciled by Alex Sarabia (this guy is going to be hot—you heard it here first!), and colored by Steve Mattsson.

Twilight Grimm #1 is written by R.A. Jones, penciled and inked by Rob Davis, with colors by Mickey Clausen! It’s veteran comic writer R.A.’s return to comics after several years. R.A. has been writing several novels—you should check them out! Fans of his Protectors work will read some familiar names.

July will see the kickstarter for Bloodline one-shot, and Friar Rush #1. It’s the Sidney Williams month as Sid is the writer for both comics. Bloodline is penciled by Rob Sacchetto, inked by Terry Pallot, and colored by Jeremy Kahn. Friar Rush is penciled by Marc Thomas, inked by John Martin, and colored by Rebecca Winslow. Sid’s been cooking up a lot of great rewards for these and we can wait to get the May and July books in your hands!

Until next time, Make Mine Silverline!

07Apr/20

Creator Spotlight: Jaxon Renick

Each month we’ll be shining the spotlight on a Silverline creator and sharing their secret origin story, learning what makes them tick, and giving you the scoop on how they came up in the comics world.  

Up this time is Jaxon Renick, a comic book artist who has worked on Deathstroke: The Terminator, SilverStorm II, Marauder, and Open Space!

Now, without further ado, we present to you…

12 Questions with … Jaxon Renick      

Silverline: So, who are you and where do you hail from?

I am Jaxon Renick, I come Bartlesville Oklahoma (Home to Phillips Petroleum) and have lived in Aizona, Texas, Missouri, Utah and Washington. In some cases, more than once over the years.

Silverline: What would you say it is you do here at Silverline?

I interpretate and coalesce the writings of talented word smiths through the use of pencil and paper…the interpretative dance part is just for me.

Silverline: Where might Silverline readers have seen your work previously?

CHAOS Magazine, Marvel’s Open Space and DC Comic’s Deathstroke: The Terminator

Silverline: When you’re not making great Silverline comics, what do you do in your spare time? What are your hobbies?

Collecting action figures, writing short stories, 3D designing homes on my computer using Sketchup. I also seem to collect cigar boxes.

Silverline: Many creators at Silverline have been in the comics industry for years — what’s kept YOU plugging away at comics?

I’ve been in and out over the years. Sometimes due to burn out, just busy with other stuff and in complete honesty, depression, but there’s always a spark awaiting to flare up into full blown artistic mode. Always! Plus, Roland’s hard to say “no” to!

Silverline: What was the first comic you remember reading that made you think, “Hey, I could do this!”

I don’t recall there being that first comic moment for me, but I do have drawings of Tono and Kono The Jungle Twins that I did when I was just a wee little one.

Silverline: What’s on your playlist? Who/what music do you listen to, and do you listen to it while you work?

Music’s a big influencer when drawing. What I listen to while at the ol’ drawing board is dependent on what I’m drawing  and what energy or emotion/mood I’m wanting to convey.

In terms of a playlist…X, Leonard Cohen, Joan Jett, Lou Reed, Laurie Anderson, Sinatra, the Beatles, the Stones, Kate Bush, John Doe, John Williams soundtracks, Rocky Horror, Queen, Talking Heads, Bowie…and the list goes on! 

Silverline: Who were some of your earliest influences on your art?

Neal Adams, John Byrne, Don Newton, Jose Louise Garcia Lopez, Michael Golden, John Buscema, George Perez, Gil Kane, Curt Swan, Howard Chakin, Walt Simonson…to name a few.

Silverline: What was the first comic you ever worked on professionally?

 Marvel’s anthology book ‘Open Space’ #7 I believe.

Silverline: Can you still read that comic today without wincing?

Next question!

Silverline: What are some non-Silverline independent comics you would recommend to readers?

I do not have an answer for this one.

Silverline: If you could go back in time and give your younger self one piece of advice that would help them better navigate the comics industry, what would it be?

There’s an abundance of artists out there, none of them are YOU! Now go do that voodoo that you do, so well!