Tag Archives: Thomas Florimonte

26Nov/20

Silverline creators share Thanksgiving memories

On Thanksgiving, we’re encouraged to take the day out to be thankful for our many blessings. We here at Silverline are thankful most of all for YOU, who continue to support us and read our comics…and that allows us to continue to make comics, which we love doing.

So, in the spirit of Thanksgiving, we asked Silverline Creators: What’s your favorite Thanksgiving memory (childhood or otherwise)?

-Barb Kaalberg
I grew up on a farm in Iowa a half mile from my Grandparents, a stereotypical old farmer couple with bib overalls for my Grandfather and a dress with an apron for my Grandmother. For Thanksgiving, my Aunt and Uncle and my 3 cousins would join my Dad, Mom and us three kids on my Grandparents farm for the usual huge meal. My Grandmother would make every single person their favorite dish and their favorite dessert in addition to the expected Turkey, mashed potatoes and gravy and homemade, yeast raised dinner rolls. Everything, of course, was made from scratch. There were so many dishes of different kinds of food and desserts that she could have fed half of a small country, but she cherished making everyone happy with her (amazing, drooling good, from scratch, homemade) cooking that she relished making everyone’s favorites. Desserts would include pies, cakes, cookies, jam filled kolaches and homemade cinnamon buns. An awful lot of food for 12 people! But it was all made with love, and that was the best thing of all.

-Thomas Florimonte
My Grandmother’s turkey “Dressing.” Not that nasty “Stuffing” stuff that northerns pass off as a “side dish” during the Thanksgiving meal. I’m talking about good ‘ol Southern Cornbread Turkey Dressing. In most cases, it’s not a side dish to the Turkey itself. It’s a “Main Dish” served along side, right next to the turkey. In “my” house, if you don’t serve “Dressing” during the Thanksgiving meal, then you might as well not serve a turkey at all. And my Grandmother made the best dressing in the world- Fight me.

-Mike W. Belcher
Best Thanksgiving was probably the one time that both sets of my grandparents came to our house for the holiday. Until then, everything was very separate with my family going to one or the other every year. Having everyone together for once was nice and one of the few times I enjoyed Thanksgiving. Can’t say it’s one of my favorite holidays for whatever reason.

-Sid VenBlu
I only have one Thanksgiving memory because I’ve celebrated it just once. That’s a holiday only in the United States after all.
Sean Wolfe invited my close friend Sarah and I to have dinner together at his house, there I not only got awesome food, but also I got to meet the man behind “Cooking with Stupid.” It was a very pleasant evening all in all.

-Rob Davis
My father attempting to pull off turkey and stuffing ( which at our house were prepared separately) one Thanksgiving when my mother was in the hospital. He nearly pulled it off, but he came close to burning the stuffing. It was pretty dry and needed a lot of gravy to be edible. Seeing my WWII era dad a bit out of his depth but soldiering through was priceless.

-Ron Fortier
Okay, I’ve lots of them but they are all jumbled together.
My mother was one of ten children so Thanksgiving were pretty much us celebrating at home. On those rare occasions when she and her sisters decided to do it up big, we’d all go to my grandparents home in Maine. Now consider, my grandfather and grandfather, their ten children and their spouses…and all their kids. Honestly I had more cousins than the populations of small towns. Mom and my aunts would do all the cooking, each of the five ladies bringing individual dishes like some giant pot-luck gathering. Dad and his brother-in-laws would take out the extra tables and chairs from the attack and set them up through the living room and kitchen area. There was one giant table for the grown-ups and at least three smaller round tables for us munchkins.
I remember mounds of food, deserts and then when all had eaten their fill, we kids were cut loose to go out in the huge backyard to play games. Growing up in a big family is an amazing blessing and though the elders for the most part are all gone now, the memories of those gatherings keep me warm as I move on in this journey.

-Jaxon Renick
The Thanksgiving that comes to mind is the one when I was in art school, away from home and my buddy opened up the pizza shop he worked at for all of his friends and co-workers to have a Thanksgiving Dinner and not be alone. That was some damn fine pizza!

-John Metych
We used to go to my grandmother’s each Thanksgiving. My grandparents, aunts, uncles, and cousins would all be there. The dining room table was large and accommodated seating all the adults. My cousins and I, however, got to sit at “the kiddie table.”
That wasn’t a bad thing, as it was an exclusive table for our generation. We would talk and act goofy, common for our age.  The table was always placed against a small wall separating the dining room from the kitchen.
My grandparent’s house was older – built in 1921 – and had age appropriate wear. During one Thanksgiving, we took note of a small crack in the wall. As kids are goofy and do silly things, one of my cousins used a spoonful of the instant mashed potatoes from their plate as spackle! They filled the crack with rehydrated potato flakes… surprisingly, the colour was a fairly close match!
We cousins still laugh about that impromptu Thanksgiving “MacGyvered This Old House” style repair!

-Brad Thomte
When I was young, my family would have the traditional Thanksgiving meal each year.  It was my mother, father, my younger brother, and me.
One of the items on the menu was cranberry sauce.  It wasn’t homemade, it was canned.  This was in the 70’s and 80’s and the cans had an embossed expiration date on the bottom instead of an inked stamp.
This caused an imprint of the date to transfer to the gelatinous blob
that was the cranberry sauce.
This phenomenon created a rivalry between my brother and I.  We
constantly fought as to who “gets the numbers.”  It got so bad that we
had to keep track of who got the numbers the year before.
Unfortunately, the last few years we were at home together, the cans
had switched over to the inked stamp instead of the embossing, so we
were unable to continue the rivalry.

-Peter Clinton
As I spent the last 3 years studying in the US I did get to participate in 3 thanksgivings. Usually those of us staying in student accommodation and near by would gather to have a ‘Friendsgiving’ where we’d all bring food and drink and have a bit of a party.
And one year my class mate Jose invited me to spend Thanksgiving with him and his family out in Pennsylvania, where his wife made a hell of a lot of food and I made sure to confuse his kids with a great many lies about life in the UK. Yes, we all live in castles!
We ended the evening with their family tradition where they all sit down and watch White Christmas, which I’m embarrassed to say I had never seen!

-Kevin Gallegly
I do t have a single one… just the ceremony around it… the good dishes… candles… the spread of snacks and finger foods… a college football game on because my grandfather was a big USC fan!

-Scott Wakefield
This is a tough question, because I have a large family and we love being together. Childhood Thanksgivings have been in New York, Massachusetts, Indiana, Illinois, West Virginia, New Hampshire, and places I’m sure I’ve forgotten. Our gatherings are always noisy and full of laughter, often requiring the ability to maintain multiple conversations at once.
One of my favorite Thanksgivings was at my aunt & uncle’s house in Indiana. I think I was 12 or 13 years old. They had a big house, with a big finished basement and tons of Nerf guns. My cousins, my brother, and I played almost non-stop, running, jumping over furniture, laughing and yelling and being sweaty adolescent lunatics. They also had a new computer with games I had never seen before, and I wanted to stay up all night playing. To make it even better, my grandparents lived nearby, so we were all able to spend time together. I think the meal was good, but then, I’ve never had a bad Thanksgiving dinner.
Family is a big part of my life, and I’m glad to have trouble finding one happy memory.

-Rory Boyle
Being from the great state of Ohio, we’re guaranteed to be graced with a healthy dose of lake effect snow. It shows up and accumulates in a hurry. Every Thanksgiving my family would pack up some classic dishes and make the drive along the coast of Lake Erie to my Aunt & Uncle’s house for our annual feast. Usually by then feet of snow had fallen. My Aunt and Uncle’s house was tucked away down long winding roads not frequently trafficked, leaving the roads paved with fresh white powder. The trees, being either blasted and caked with snow or standing tall and silent, their limbs would frosted with snow looking like skeletal fingers reaching over the road. We’d reach their driveway in our station wagon and turn onto the snow covered gravel. Pulling up to the party of cars, and rushing out to meet family, we were always greeted by the aroma of a turkey roasting on a spit, and the joyful shouts of welcome from the rest of the family. It was a beautiful start to every winter season.

Happy Thanksgiving from all of us at Silverline to all of you!
#MakeMineSilverline!

#

17Nov/20

Fulfillment done…and ComiConway 2020!

Fulfillment done!

We’re happy to report that fulfillment for Cat & Mouse #3 and Trumps Book 1 is done! Well, with the exception of one…and then five whose addresses I don’t have (if you’re reading this and don’t have your comic yet—please make sure I have your address). Some of the digital rewards have gone out—mostly the “catch-up” comics. I’m still putting together the other pdfs, but hope to deliver those to backers by the weekend (I’m shooting for Friday).

Please drop us a line and let us know what you think! We know you’ve got a lot of stuff to read…but we’re anxious to hear your thoughts!

ComiConway 2020

Despite the fact you may have heard the world is in the middle of a plague, life moves on…and that’s what ComiConway is doing…and they’ve invited Silverline to be a part of it in a big way—and we couldn’t be more excited. Roland Mann and Jeff Whiting were both guests of the show in 2018 and both had only great things to say.

So how will Silverline be participating? Thanks for asking. On three consecutive Saturdays (Nov 7, 14, and 21), Silverline will be hosting four panels each day starting at 10am (Central time). The panel schedule looks like this:

November 7
(to view these panels, head to the video at ComiConway’s facebook page: https://fb.watch/1P48vkfEEZ/  Be warned…the first one starts late…we had technical difficulties)

10 am
Who and what is Silverline?
Panelists: Roland Mann (moderator), Thomas Florimonte, Kurtis Fujita, and John Metych.

11 am
Silverline: What are Cat & Mouse, Kayless, Divinity?
Panelists: Kurtis Fujita (moderator), Roland Mann, Barb Kaalberg, Brent Larson, Alex Gallimore, Wubba Fett, Roberta Conroy, Mike W. Belcher.

12 pm
Breaking into the comic industry
Panelists: Kurtis Fujita (moderator), R.A. Jones, Roland Mann, John Metych, Thomas Florimonte, Aaron Humphres, Roberta Conroy, John Martin.

1 pm
Silverline: What are Twilight Grimm, Friar Rush, Sniper N Rook?
Panelists: Scott Wakefield (moderator), R.A. Jones, John Metych, Rob Davis, Ron Fortier, Aaron Humphres, Mike W. Belcher, John Martin.

November 14
(to view these panels, head to the video at ComiConway’s facebook page: https://fb.watch/1P45qqAGLz/ )

10 am
Tools and strategies of comic book penciling
Panelists: Kurtis Fujita (moderator), Aaron Humphres, C. Michael Lanning, Peter Clinton, Wubba Fett, Rob Davis.

11 am
Silverline: What are Steam Patriots, White Devil, and The Rejects?
Panelists: Kurtis Fujita (moderator), Scott Wakefield, Rory Boyle, Dan Hosek, R.A. Jones, Roland Mann, C. Michael Lanning

12 pm
Tools and strategies of comic book Inking
Panelists: Scott Wakefield (moderator), Thomas Florimonte, John Martin, Haley Martin, Jeff Whiting, Rob Davis.

1 pm
Silverline: What are Trumps, Beah, and ChampFury?
Panelists: Roland Mann (moderator), Thomas Florimonte, Sid VenBlu, Haley Martin, Peter Clinton, Roberta Conroy,

November 21
https://www.facebook.com/ComiConway/ is the link for this coming Saturday (times are CENTRAL. We’ll need some questions for the Q&A, so y’all come!)

10 am
Tools and strategies of comic book Coloring
Panelists: Kurtis Fujita (moderator), Roberta Conroy, Sid VenBlu, Jeremy Kahn, Dan Hosek, David Rios. Tentative-Haley Martin.

11 am
Silverline: What are Teen Beetle, Wolf’s Hunter, and Satin’s Ways?
Panelists: Kurtis Fujita (moderator), John Crowther, Tim Thiessen, Ron Fortier.

12 pm
Tools and strategies of comic book Writing
Panelists: Scott Wakefield (moderator), Roland Mann, R.A. Jones, John Metych, Scott Wakefield, Tim Thiessen, John Crowther, Tentative: Brent Larson and Dan Hosek.

1 pm
Silverline Q&A
Panelists: Roland Mann(moderator), Kurtis Fujita, Alex Gallimore, Roberta Conroy, Mike W. Belcher, Rob Davis, Aaron Humphres, Thomas Florimonte, Sid VenBlu, C. Michael Lanning, R.A. Jones, Peter Clinton, John Metych, Tim Thiessen, John Crowther, Haley Martin, Scott Wakefield, Wubba, John Martin, Jeremy Kahn. Tentative: Brent Larson.

Again, we’re pretty excited to be participating, as 2020 Plague year has pretty much shut conventions down. Like you, we’re ready to get back to things!

Signings!

Roland Mann and Thomas Florimonte will be signing copies of Trumps (and other stuff) at Coliseum of Comics in the Fashion Square Mall on Saturday, November 21, from 4pm-7pm. Coliseum supported the kickstarter and they have special editions of the comics that sport their store logo. VERY limited copies are available. You can bring your other stuff for us to sign, too, or pick up something different from them while you’re there.

Join us this Saturday for our signing with Roland Mann – Writer and Thomas Florimonte Jr from 4PM – 7PM! 🎨#Orlando #OrlandoFL #ComicBooks

Posted by Coliseum of Comics on Monday, November 16, 2020

So make your plans and come see us.

Keep your eyes peeled here, too…we’re planning something special in the days to come!

 

27Oct/20

Title Spotlight: Demon’s Tails

Demon’s Tails: More than a Mini (Series)

By John M. Metych, III

It’s not often that a “supporting character” in a new comic title is not only introduced prior to the namesake “main characters” of the new series, but is actively (and impressively) spotlighted – even including a complete origin story reveal! – within the first six pages . . . OF SOMEONE ELSE’S TITLE!  It doesn’t happen often . . . but it happened in Cat & Mouse (Volume 1, Issue 1) and it happened to Demon!  From those very first pages, readers knew that Demon was destined to be more than a traditional “supporting character.”  He was destined for more than a supporting character role.  He was destined for greatness.  He was destined for his OWN title.  He was destined for . . . Demon’s Tails!

Originally released by Silverline through Adventure Comics, and currently available directly from Silverline in a nifty graphic novel format (https://indyplanet.com/demons-tails), Demon’s Tails chronicles Keith Greyson’s adventure to put an end to the Church of Abaddon once and for all, adds additional context and details to his origin, and serves to beautifully wrap up his focused story arc, using the final two issues of Cat & Mouse as a launching pad for his own series and his own adventure!

However . . . history has a tendency to repeat itself, and it absolutely does so here!  Mirroring how Demon was given spotlight treatment in someone else’s new title (Cat & Mouse), here we find that Demon’s new title . . . isn’t all about him!  Champion, AKA Dan, AKA the Chicago Champion, AKA “the inspiration for several heroes in the Silverline Universe” makes sure that he’s along for this four issue ride and that his story gets some time to shine as well!  Ah, Demon . . . we didn’t want you to get lonely!

Not that Demon would have a chance to be lonely . . . introduced within the first few pages of the title are his estranged sister (Cheryl) as well as a trio of his old college buddies (Mike, Chris, and Stan – who are now on a road trip to reconnect with Keith/Demon), Champion makes an appearance in New Orleans (still thinking that he’s working with official law enforcement – see Cat & Mouse 17 and 18 for deets on that), and a small cadre of Church of Abaddon cultists tussle with Demon as he saves a damsel in distress, with the cultists later recanting their actions and pleading for forgiveness, all while referring to Demon as “Master.”

We get insight into what the Church of Abaddon really is . . . a front  . . . a fraud . . . a cult whose leader (Isaac) is focused on power . . . and money . . . and is willing to kill, in the most horrific ways, to protect his interests.

Meanwhile, Keith’s buddy, Mike, surprises him by showing up at his place, revealing his transformation from Man to De-Man (Demon, get it?!? HA!).  An expanded origin story is shared between the gentlemen, explaining the metamorphosis to his current appearance, the revelation that the road trip, prompted by the phone call Mike had received from Cheryl, was to deliver a devastating message – Keith’s father had passed away.  Keith/Demon, still fearful of a society that would fear him, shun him, or . . . worse . . . indicated that he wouldn’t be attending the funeral because of his current “condition.”  This infuriated not only Mike, but also his sister Cheryl, who decided to conduct a pilgrimage to New Orleans to speak with her brother herself . . .

Champion, still on the hunt for Cat & Mouse, believes he finally located Cat. Champion was given the description “There’s no mistaking them” so when he sees Demon (who is furry . . . and has tails . . . like, I dunno, a CAT), he assumes (and you know what they say about assume, right?!?) Demon is truly Cat. Before he can engage him, however, the cultists blow a dog-styled whistle, causing both Demon and Champion to pass out. The cultists whisk Demon away – to Isaac – who then extracts blood from Demon’s unconscious body and injects it into caged rabbit and puppy as an experiment.  But to what ends . . . ??  Well, the animals go crazy, become muscularly buffed up, burst from their cage, and escape from the building only to soon after “writhe in pain, and come to an unpredicted end” as they dissolve into a puddle of goo . . .

Isaac, already power hungry, and only seeing the effect on the animals to the point of their escape, is urged by one of his lackeys to inject himself to increase his own power . . . now not only psychological over his followers . . . not only financially through his bogus church . . . no, now Isaac has the opportunity become physically powerful in ways he never could have imagined before.  All he needed to do was “go get some more blood from the freak” for this to happen . . . but it wasn’t going to be that easy.  While the animals were metamorphasizing (yes, I coined a new word here), Demon awoke, escaped from his oppressive bonds, and finds his way home.  Unfortunately, this is the same home that his sister, Cheryl, had visited hours before . . . as had a new cadre of cultists . . . who took it upon themselves to kidnap her and bring them to Isaac, who is none to pleased about Demon’s escape prior to being able to extract blood for his own injections.

Champion and Demon finally face off, misidentifications come to light, some good, fun, old school “hero vs hero misunderstandings lead to fighting” occurs and the duo both succumb to the mighty . . . whistle of the cultists.  Again.

In an ornate ceremonial room, replete with sacrificial altar, the eclectic “team Demon” finally comes together.  Demon, bound and upside down, recognizes his sister, Cheryl, as the woman being prepped for the altar. Champion, also bound (but right-side-up) is a witness as well and knows he must save her.  Demon’s trio of college buddies – Mike, Chris, and Stan – impersonate cultists and infiltrate the ceremonial room at the precise time of Demon’s bloodletting at Isaac’s hands. Demon begins yapping in hopes of distracting Isaac’s attention away from Cheryl, Champion struggles with his bonds in an attempt to get free so he could save Cheryl, and the trio decides it would be best to cut Demon loose so he could . . . save Cheryl. 😊  Remember, at this point, that Mike is the only one of the three who knows who Demon really is . . .

Upon ingesting Demon’s blood, Isaac follows a path similar to his lab animals . . . he physically metamorphasizes (new word #2!), the change affects his brain (even more negatively, if you could believe it!) and an epic battle between Mega Isaac and the now allied duo of Demon and Champion ensues. Isaac is defeated, Cheryl is saved, Demon is revealed to be Keith to all assembled, Champion and Demon become buddies, and Isaac dissolves into a puddle of goo. Just like the animals.  Just like Ben Reilly too, come to think of it, although Isaac met his fate three years prior.  Always ahead of its time, Silverline has been!!!

The series wraps up quickly and ends with Demon visiting his father’s grave to pay his final respects.

The talent that brought these issues to life consisted of:

  • The ever inspiring Roland Mann– the Mann with the Plan! Cat and Mouse writer and Silverline Editorial Director, would, later in his career, become writer, editor and eventually Managing Editor at Malibu Comics.  He has been the driving force of Silverline as a publisher, including the current, successful relaunch of the brand!
  • Paul Pelletier, who bounded into Silverline and on to the comic book scene with Demon’s Tails! Having already produced work through Alpha Productions, Paul joined with Roland to tell Demon’s first expanded solo story and Paul would go on to have a most excellent career in comics, working for Malibu Comics, DC Comics, Marvel Comics, and CrossGen comics, among others. His pencil has brought life to world renowned characters including, but not limited to, Aquaman, Batman, Robin, Nightwing, Batgirl, Green Lantern, Superman, The Incredible Hulk, all four of the Fantastic Four, Nova, the Silver Surfer, and Wolverine. Whew!
  • The mighty Thomas Florimonte provided his first published inks on this mini-series (issues 2 – 4), and would also produce beautifully inspired inks for publishers including (but not limited to) Marvel, Malibu, Chaos!, Acclaim and Gallant, and his own imprint: Inferno Studios, home of Zomboy! Thomas also co-founded the industry changing Print-On-Demand service, Ka-Blam as well as its sister division, IndyPlanet!  Plus, Thomas is back at Silverline, currently inking multiple current Silverline projects, including the just successfully funded first issue of TRUMPS! (as in card games!) (https://www.kickstarter.com/projects/rolandmann/trumps-and-cat-and-mouse/)
  • Demon’s Tails’ Issue 1 inks were provided by Tom Romano, who is still contributing to the comic book field through his own studio, Tom Romano Art Studio.
  • Very unique and distinctive lettering was provided by Rik Mayo for all four issues.
09Jun/20

Silverline Creator Spotlight: Thomas Florimonte

Each month we’ll be shining the spotlight on a Silverline creator and sharing their secret origin story, learning what makes them tick, and giving you the scoop on how they came up in the comics world.  

Up this time is Thomas Florimonte, a comic book artist who has worked for such companies as Marvel, DC, Gallant, Chaos, Malibu, and others…as well as Silverline Comics, of course. Tommy is also a partner in the premiere digital comic printer, Ka-Blam.

Now, without further ado, we present to you…

12 Questions with … Thomas Florimonte!

SILVERLINE: So, who are you and where do you hail from? 

Hi! My name is Thomas Florimonte, Jr. Although I never developed that sweet southern accent, I grew up in south Mississippi. I now live in the central Florida area with my wife Rene’. So I guess I’m officially now a Floridian.

SILVERLINE: What would you say it is you do here at Silverline?

Currently, I’m inking the upcoming title Trumps. BUT this isn’t the first Silverline-ish book I’ve worked on. Back in the day, I inked several of the original run on Cat & Mouse and Demon’s Tails. AND have worked with Roland Mann on so many books for Silverline, Malibu Comics and others. I give Roland, along with buddies Steven Butler and Mitch Byrd the credit of helping me break into the comic business and giving me some of my first paying work.

SILVERLINE: Where might Silverline readers have seen your work previously?

I broke into the comic biz way back in the early 90’s. In that 25+ years, I’ve racked up a long list of comic creator credits (writing, penciling, inking, coloring, publisher…) and have worked for just about every major publisher out there: Marvel, Malibu, Chaos!, Acclaim, Gallant Comics (to name a few), working on various titles such as Spiderman and Lady Death to Magnus Robot Fighter & Nightman… I’m still plugging away with my own creator owned projects through INFERNO Studios’ line of Kid Hero comics: Zomboy: Kid Hero, Lil Na’ & SoSo, Vinny: Things that go WOOF in the night… My latest projects include new issues of Mystery GirlzZomboy: Kid Hero  (INFERNO Studios), Miniature Man (Gallant Comics / Inks) and a new upcoming project titled Trumps (Silverline / Inks). I also co-own and run the very popular comic printing company: Ka-Blam Digital Printing- The one stop print house for all comic creators. And also IndyPlanet– A online print-on-demand comics shop that works directly with Ka-Blam.  

SILVERLINE: When you’re not making great Silverline comics, what do you do in your spare time? What are your hobbies?

Other hobbies? Who has spare time?  My main time sink is keeping up with the day to day running of Ka-Blam Digital Printing. Oh- Did I not mention that I’m co-owner of the best print-on-demand comic printer in the world? I am, so when I’m not printing other people’s comics, inking the Silverline Trumps comic I’m working on my own creator owned Kid Hero line of comics from INFERNO Studios (www.infernostudios.com): Zomboy, Lil’ Na and SoSo, Mystery Girlz… Did I forget to say that what little time I have left, I spend it all with my wife and friends at the Disney Parks and riding my bike. I try to put in 10-30 miles a week on on my bike. More if I can.

SILVERLINE: Many creators at Silverline have been in the comics industry for years — what’s kept YOU plugging away at comics?

Always loved comics: Read them as a kid. Read them as a teen. Read them in college. Started making comics professionally right out of college. Started a business to print comics for myself and others shortly there after. Still doing it now. Doesn’t feel like a job. In fact, I’ve always said I doing my best not to get a real job.

SILVERLINE: What was the first comic you remember reading that made you think, “Hey, I could do this!”

Never thought that. But my first comics, though I didn’t know they were comics, had to be Sunday strips in newspaper. Loved reading Peanuts and all that stuff when I was younger.. But comics- I fell in love with Spiderman as a kid. Always have and still am. Doesn’t matter what it is- Spiderman and his bunch are my favorite. I read other stuff, both Marvel and DC, but Spiderman… That and Star Wars was what I nerded, before being a nerd was cool, out for. Anything and everything that had the web head or Darth Vader I could get my hands on, was mine. I’m so easy to buy for.
So when it looked like I was going to start making comics, in the back of m mind, my main objective was to work on the Spiderman comics. AND I did.

SILVERLINE: What’s on your playlist? Who/what music do you listen to, and do you listen to it while you work?

Music- NO. I watch TV when working on comics. I learned a long time ago that I could watch TV and work on comics at the same time. Not a problem.  I’ve also thrown in Podcasts. And now that I draw and ink everything digitally, I don’t spill ink all over the couch.

SILVERLINE: Who were some of your earliest influences on your art ?

I’m all over the place. I really don’t have one. Everybody I guess. I’ve had the knack of being able to analyze different styles then pick the stuff I wanted to copy. But I’d say, if there’s any one style I’m known for, most everyone likes the clean dynamic lines I get.

SILVERLINE: What was the first comic you ever worked on professionally?

While I worked on a TON of uncredited background work, my first published book was on Scum on the Earth from Aircel Comics (one of Malibu Comics imprints).

SILVERLINE: Can you still read that comic today without wincing?

Better yet. I still have several hundred copies of it in my garage AND also still have some of the original pages.

SILVERLINE: If you could go back in time and give your younger self one piece of advice that would help them better navigate the comics industry, what would it be?

I think I did pretty well: I got in young. Worked on a ton of books. Met a ton of people. Made just as many friends. Had a great time doing so. Fans liked my work. What more could I ask for? I’m still in the business. I always knew that only a few could be “Super Stars.”

SILVERLINE: After you die, would you rather your memory be memorialized with an overpass or a parking lot?

Die? Who’s doing that? Never going to happen. But… Overpass or Parking lot? Neither. I’d like a INFERNOCoaster. Yeah!!! Make a roller-coaster in my name. I’m going to start working on that now. Fun 🙂

 

02Jun/20

Silverline News: Double Feature KS ending in four days

Close as of this writing!

The kickstarter for the Silverline Double Feature of Divinity #1 and Twilight Grimm #1 is close to making goal as I write this up. Currently, there are 134 backers pledging $5,576 making 92% of goal. If you’re reading this and haven’t backed, remember that the comics are done, we just need the funding to print and ship them to you! And of course, we know you’re going to love them. So get on over and pledge if you can: https://www.kickstarter.com/projects/rolandmann/silverlinedoublefeature1

Silverline Live now 3 times a week!

Yep, it’s true, and that’s our big news this week. Tomorrow (Wednesday, June 3), longtime Silverline creator Sidney Williams will be talking with a good bit of the creative teams behind Divinity and Twilight Grimm. We have it on good authority that even R.A. Jones will be joining the group via phone! https://www.facebook.com/events/2660675587554560/

Then, Sunday night (June 7), Roland will talk with a host of those who weren’t part of the Wednesday chat. They’ll talk about crowdfunding in general. Then, on Monday night, the first Silverline Live: 1on1 will debut as Roland sits down to talk with Thomas Florimonte (who will be inking at the same while he talks!).

So, if you’ve got questions, post them on the Silverline FB group page. We’ve created event pages on FB as we’re going to try them out, see if they work to help generate questions before we go live.

Next Kickstarter

Kickstarter Exclusive cover by Steven Butler

We know the current one isn’t over yet, but we wanted to let you know that we already know what we’ll be kickstarting in July, after we’ve got fulfillment (or at least most of it) for the Silverline Double Feature #1 done. July will see two Sidney Williams written comics: the first is Bloodline, an adaptation of the short story written by Sid and Robert Pettit. Bloodline is penciled by Rob Sacchetto, inked by Terry Pallot, and colored by Jeremy Kahn. The other is Friar Rush #1, the first of a three issue mini-series. It’s penciled by Aaron Humphres, inked by John Martin, and colored by Rebecca Winslow. And oh—guess what, BOTH of these are already finished. RIGHT? Two months before we even crowdfund, these are done!

Don’t forget to like us, follow us, heart us, favor us, subscribe to us, and all those social media things! As always, thanks for your support!

26May/20

Silverline Title Spotlight: Cat & Mouse Vol. #1, issues 13 – 18

Welcome to the fourth, and final, spotlight on the original classic Silverline title, Cat & Mouse.

Yes.  Fourth.  And yes. Final.

You may be thinking “What?? Final spotlight?? Each preceding spotlight reviewed a four-issue arc. This spotlight encompasses SIX issues?  An entire one-third of the original series??”

This realization may lead to thoughts such as “No . . . that’s not true . . . that’s impossible!!!”, or even “This is madness!”

Fear not, friendly reader, for this final spotlight on the original Cat & Mouse run is neither madness nor impossible.  Sit back, take a deep breath, relax, take yourself back to the early 1990’s, drink an ice-cold Crystal Pepsi and chow down on a McDLT sandwich as we delve into the conclusion of Silverline’s original Cat & Mouse saga …

Issue thirteen picks up in the wake of Cat’s (Jerry’s) brutal battle with Tooth and Nail; as Cat remains hospitalized in intensive care, Demon takes it upon himself to look after Mandy’s (Mouse’s) mental health.  A trip to his veterinary clinic puts Mandy in a better mood, enjoying the cute puppies and even assisting with some basic pet care. Playful banter and some light flirting concludes with Demon introducing Mandy to some of “his” music … to which she responds “What? Sixties music?” and rolls her eyes.  I knew I liked this Mandy girl . . . ?

The next morning finds Demon twitterpated over his upcoming date with Mandy as he makes a rare daytime appearance at his clinic, gives his receptionist a raise, receives a grateful friends only hug and kiss in return, and muses about his apparent new “ladies man” status.

Mandy and Demon’s “floating concert on a sail barge” date goes awry as a tugboat collides with the musical barge.  Demon and Mandy heroically jump into action; Demon rushes to save the members of the 60’s cover band, Steelhammer, from possible electrocution from a fallen lighting rig while Mandy thrusts herself onto the tugboat and fights the thugs who intentionally rammed the musical barge. Demon delivers all of the band members to safety, save the guitarist who was, as was Demon, hit with an impactful electrical shock when a live speaker hit the open water.

Demon recovers, he and Mandy swim to shore to avoid any questions from the authorities (Demon’s appearance would certainly be question #1!), and Mandy explicitly tells Demon that, next time, they see one of her bands.

Again, I knew I liked this Mandy girl . . . ?

As the light-hearted dating interlude ends, issue fourteen thrusts Mouse back into action. She reconnects with her thieving skills in an attempt to secure financing for Cat’s hospitalization and medical costs.  Her initial break-in goes awry, but she finds herself wielding her new-found pistol with ease and certainty.

Demon and Mandy continue their playful canoodling, which Demon tried to turn into a serious conversation before being interrupted by Mandy’s friend’s unexpected arrival.  Hiding hijinks ensues and Demon finds himself fuzzier after being on the wrong end of a clothes dryer cycle.Unexpected visitations continue as Martin Rossman re-enters the title, stopping by Jerry and Mandy’s apartment unannounced. Mandy has her first one-on-one conversation with Rossman, who emphatically states that he wants to help prove Cat and Mouse’s innocence but will need the two bullets that were in Cat’s possession to do so.  After visiting Jerry, and a quick phone consultation with Demon, Mandy, this time as Mouse, meets Rossman in the dead of night to deliver the evidence.  However, he is not alone . . . accompanying him are his personal lawyer and a United States Marshall. Rossman announces that he is turning state’s evidence against the Mafia . . .

And Champion returned in this issue, as well, with shadowy figures in search of him.  For what nefarious reason? Only time will tell . . .

Martin Rossman’s deal to turn state’s evidence is on center stage of issue fifteen as his family goes into witness relocation and the Mafia boss is taken into custody, though later released due to “lack of evidence” (AKA – Jury Tampering).  The Yakuza are pleased with the Mafia coming under the microscope of the United State’s State Department and Kunoichi ordains her next pair of students as ready to take the names Skull and Crossbones.  Demon’s positive impact on Mandy continues after their first “overnight stay” as she takes his suggestion to complete her GED (High School Equivalency Certificate – AKA “Good Enough Diploma”) and she enrolls in classes to earn this certification.  The nefariousness around Champion continues as an individual claiming to “work for the government” offers him a job in New Orleans. And nary a panel featuring Cat appears this issue!

Issue sixteen begins with a bang (well, technically, a BOOM) as it picks up precisely from the moment issue fifteen wrapped. An assassination attempt on Martin Rossman follows his departure from the courthouse where mob boss Vito Ruggieri had just been released.  As Cat’s return to his own title begins, Ruggieri’s name is dropped multiple times.  Officers (on the take) continue to “look after” Cat, while wondering who he is and why Rossman ordered him protected, and state Ruggieri’s interest in the hospitalized (and still unidentified) Cat.  One of the officers provides a vial – from Ruggieri – to the attending physician who, in turn, injects its contents into Jerry’s motionless body.  “Coincidentally,” Jerry’s condition takes a turn for the worse this issue as his kidneys begin to shut down and a hospital official indicates that his only chance for survival is a complete kidney transplant.

Mouse’s quest for protection – in the form of Kevlar or an equivalent – continues as she “visits” an off-the-beaten-path police warehouse that Martin Rossman identified as one that would contain such body armor.  Mouse also imparts on a quest to secure a replacement kidney for Jerry from Japan’s black market.  She approaches her former teacher, Kunoichi, requesting her assistance in setting up such a purchase.  Meanwhile, Kunoichi is battling her own issues as an unsuccessful attempt to recruit her to assassinate the Yakuza’s leader (known as the Oyabun) leaves her on unsteady grounds with other powerful individuals in the organization . . . individuals that have located the off-the-grid Tooth, who had been in hiding since the conclusion of issue twelve, and recruits her to assassinate the Oyabun instead!  Her payment? Delivery of Cat for her to extract revenge as she sees fit . . .

Rossman, still alive after taking a bullet to the chest, is moved out of New Orleans under the cover of darkness en route to his waiting family, now in witness relocation, in South Dakota.  Family connections are strong in this issue as Champion finds himself now in New Orleans, having accepted the job from the guy “from the government,” encounters his ex-wife, unexpectedly, during his first walk through the city!

Kunoichi, loyal to the Oyabun, seeks his assistance in procuring the black-market kidney for Cat.  As the Oyabun inquires what he would gain in return, a disheveled and unhinged Tooth bursts in and announces she is there to kill him. Kunoichi pledges to protect his life in exchange for the kidney and pushes for an immediate agreement.  And cue the cliffhanger music as issue sixteen ends and issue seventeen begins, picking up at the same precise moment . . .

A protracted, bloody, brutal, limb-severing battle between teacher and student ensues and concludes with Kunoichi’s absolute victory over her former student.  Champion, in uniform and in the heart of New Orleans, receives his own “field agent badge” as he meets a “contractor,” also noted as one of the founders of a “new government branch.”  The badge? Fake.  The contractor?  Ruggieri.  The other “governmental agents?”  Mafia.  The stories they tell, including one where Cat and Mouse supposedly had killed Martin Rossman?  Lies.

And what of Mouse? She’s having vivid nightmares of impregnation with Demon’s child . . . well, children . . . well, litter of children. Being delivered by reverse-anthropomorphic  versions of Vet Demon and Nurse Nancy.  Visions of Cat chastising her lack of responsibility and self-control haunt her. The nightmare is interrupted by Kunoichi, arriving unannounced, who quickly catches Mandy up on her battle with Tooth, her deal with the Oyabun, and the danger that Cat is in now that his identity and location is known by both the Mafia and factions of the Yakuza.

Kunoichi’s newly ordained graduates – Skull and Crossbones – are shown to be loyal to the Oyabun’s chief rival, Inagowa, the one who called for his death.  The duo commandeers a Dirigible and make their way to the hospital, intent on kidnapping Cat, no matter how many Mafia members they need to kill on the way to fulfilling their mission.  Kunoichi and Mandy race to the hospital only to see Cat being loaded into the airship but are too slow as Skull and Crossbones sail away with him in tow. Turning to the Oyabun for assistance, Kunoichi and Mandy come face-to-face with his rival, Inagowa, who has anointed himself as the new Oyabun upon the dishonorable departure of his predecessor.  Inagowa, as the new Oyabun, offers the women the same deal he offered Nail – delivery of Cat upon the death of his predecessor.  Kunoichi refuses a second time while Mandy emphatically announces that she will do it.  Kunoichi and Mouse locate him, hiding on a ship, sailing away to hide. Kunoichi offers him one last opportunity to regain his honor and offers him a blade to do so with.  He refuses, lunges towards the port door to escape, and is confronted by Mouse, gun drawn and ready to fire!

The Oyabun is dead. Long live the Oyabun.  Issue eighteen, the final issue of the original Cat and Mouse saga, begins with Mouse and Kunoichi delivering the dead body of the original Oyabun to his usurping successor, Inagowa.  The large gunshot wound makes it crystal clear that it was Mouse who delivered the killing strike, as promised.  The new Oyabun identifies the local zoo as the location in which they can find Cat.  Mandy locates him, in a tiger cage, being “protected” by Skull and Crossbones.  Petty banter ensues but the assassins assure no interference will occur.  Mandy enters the cage and repentantly shoots an attacking tiger to protect Cat.  The two women accompany Cat to Japan, where a donor organ is provided, surgery is completed, and prognosis for recovery is positive.  After kidney implantation, a horrifying lucid dream jolts Jerry (finally) awake from his coma.

One final mission is performed; Mouse, having an uneasy feeling about the organ donor process, asks Kunoichi to accompany her and investigate the organ donor facility.  She had a bad feeling about it  . . . and she was right.  The “donors” were unwitting individuals, mostly homeless people and missing kids, who the Yakuza provide to the “facility” who, in turn, supply human organs as needed.  The “donors” are awakened by Kunoichi and Mouse’s arrival and lead an “undead” uprising against the guards, doctors, and workers at the “facility,” an uprising that the ladies refuse to interfere in, thus allowing the “donors” to extract their revenge.

The final page of issue eighteen reunites our title characters, finally!  As Jerry continues to recover from his injuries in Japan, Mandy catches him up on everything that had happened during the intervening passage of time.  Sporting a very Nick Fury eye-patch, and still requiring a wheelchair as he is at the very beginning of a multi-month recovery, Jerry thanks Mandy for everything she has done for him.  Overlooking the mountainside, she shares that she likes the thought of them staying there and leaving the mess of New Orleans behind . . . maybe permanently.

The End!

Well, not quite . . . ?

Although the “The End!” caption closed out issue eighteen, and with it, the original Cat and Mouse series, the final two issues also served to lay groundwork for the continuation and growth of the Silverline universe of characters!

Champion, still in New Orleans, attempts to woo his ex-wife back into a relationship.  It’s revealed that they have a daughter together.  As Champion (who we now know is named Dan) and his ex-wife (Ann) are out on the town, they encounter a shadowy creature assaulting a man in an alleyway.  Dan confronts the shadowy figure, who he (incorrectly) surmises must be Cat due to his appearance (brown fur, tails, glowing eyes . . . yeah, it’s Demon!) and, through his courageous intervention and bravery, impresses his ex-wife.  The story of Champion, working with “the new branch of government” will continue in one branch of the Silverline universe . . . more on that to come!

Demon, after departing from the alleyway (and after letting Dan know he’s “number one”), realizes how flustered he has become since the Church of Abaddon has entered his life.  The man he was assaulting in the alleyway?  A cult member who he was trying to extract information from, even if he had to “beat it” out of him . . . until he was interrupted by Champion, that is.  The Church of Abaddon saga continues in yet another branch of the Silverline universe . . . Demon’s first solo mini-series, Demon’s Tails! (available for purchase HEREhttps://indyplanet.com/demons-tailsshameless plug!  ? )

As we close the book(s) on the original Cat and Mouse series, we look forward to the continuing adventures of many of the supporting characters introduced throughout these eighteen issues, characters featured or starring in sister Silverline publications, and some special guest stars as well.  It’s almost 2021. Do you know who your heroes are? ?

The talent that brought these issues to life consisted of the ever-impressive:

Roland Mann – the Mann with the Plan! Cat and Mouse writer and Silverline Editorial Director, would, later in his career, become writer, editor and eventually Managing Editor at Malibu Comics.  He has been the driving force of Silverline as a publisher, including the current relaunch of the brand!

Mitch Byrd, series artist, would, later in his career, grace multiple Malibu comics with his artwork as well as provide artwork for myriad publishers on a plethora of titles.  Mitch held a notable run on the Green Lantern character “Guy Gardner: Warrior” title.

An assembly of guest pencilers pitched in to deliver issue 13, including Tim Eldred, Chris Cross, Tha Grimlen Jack, and Brian Dale!

The myriad talented Inkers over this six-issue run include:

The mighty Thomas Florimonte who also provided inks not only for Silverline’s Demon’s Tails mini-series, but also for titles from publishers including (but not limited to) Marvel, Malibu, Chaos!, Acclaim and Gallant, plus publications under his own imprint: Inferno Studios, home of Zomboy! Thomas also co-founded the industry changing Print-On-Demand service, Ka-Blam as well as its sister division, IndyPlanet!  Plus, Thomas is back at Silverline, currently inking multiple current Silverline projects!

Ken Branch, who also provided inks on multiple issues of Cat and Mouse’s sister publication SilverStorm, and also inked at Marvel, DC, Image Comics, Malibu Comics, Valiant Comics, First Comics, and Comico.

John Dell, who also inked at DC, Marvel, and Cross Gen and worked on titles including Robin, Lobo, Supergirl, and the JLA.

Dan Schaefer, who also contributed to art projects at Dark Horse Comics, Marvel Comics, Malibu Comics, and DC Comics.

Tom Romano, who is still contributing to the comic book field through his own studio, Tom Romano Art Studio.

02Jan/20

Silverline: Looking ahead to year 2(020)

2020 looks to be a busy year for Silverline…and that’s pretty exciting to all of us!

Panels from Friar Rush #1

For non-comics, we’ll be launching a weekly live stream. Current plan is for them to be Wednesday’s at 8pm EST. We’ll have a couple of different segments, including an indy comic review and a segment on the craft of making comics. Stay tuned for the exact launch date for it.

We’re still working on appearances for 2020, we’ve already been invited back to Daytona Beach Comic Con—and have accepted. Just not sure exactly which ones of us will be there. Roland will be at Three Rivers in Pittsburgh, his first show ever in the state of PA! More dates and appearances to come, be we hope to see a bunch of you at a bunch of shows!

We’ve got a big slate of books we’ll be releasing in 2020, so many that we may experiment with some Silverline crowdfund “packages.” Meaning, more than one book per crowdfund. Honestly, it’s exciting to look at this list to see all the content will be delivering to you—we know you’re gonna like them!

Mentioned last week in title only, the projects that are nearly complete and should ready to crowdfund very soon:

*Bloodline, 1 shot: by Sidney Williams (writer), Rob Sachetto (penciller), Terry Pallot (inker), Brian Dale (letterer). This one is finished except for the colors, which is being done by Keith Wood.

*Friar Rush #1, 3 issue mini: by Sidney Williams (writer), Marc Thomas (penciller), John Martin (inker), Rebecca Winslow (colorist), Brian Dale (letterer). The first issue is being both colored and lettered at the same time.

A page from DIVINITY #1

*Divinity #1, 4 issue mini: Created by Barb Kaalberg and co-written by R.A. Jones. It also features Alex Sarabia (penciller), Barb Kaalberg (inker), Steve Mattson (colorist) and Mike Belcher (letterer). It is nearly complete.

*Twilight Grimm #1, 4 issue mini: by R.A. Jones (writer) and Rob Davis (artist), Alex Gallimore (colorist), and Mike Belcher (letterer). The first issue only needs color!

*Kayless #2, 4 issue mini: by Brent Larson (writer), Luis Czerniawski (artist), Leandro Huergo (colorist), Mike Belcher (letterer). This issue needs colors and letters.

A bit later in the year, these should be ready:

A page from WHITE DEVIL #1

*Cat & Mouse #3, 4 issue mini: by Roland Mann (writer), Alex Gallimore (penciller), Barb Kaalberg (inker), Kevin Gallegly (colorist).

*White Devil II, 4 issue mini: by R.A. Jones (writer), Jaxon Renick (penciller), with inks by Mike Keeney and Chuck Bordell. The first issue only needs color!

*Trumps book 1; by Roland Mann (writer), Anthony Pereira and Thomas Hedglen (pencillers), Thomas Florimonte (inker), Sid VinBlu (colorist), Brian Dale (letterers).

24Dec/19

Silverline: Review of Year 1

Merry Christmas to one and all. As 2019 draws to a close, I thought I’d take a short peek back at the first year. Oddly, thinking about it reminds me of one of the very first “group” Silverline (phase 1) art pieces…30 years ago! Note the date on Steven’s art is 1988!

In June of 2018, I ran the kickstarter for Cat & Mouse #1 (vol 2). The creative team had such a blast doing it and we got to reminiscing about our old Malibu days and Silverline and such…well, they encouraged me to bring back Silverline—which was not my intent in doing Cat & Mouse again…I just wanted to make some comics and have some fun. Ultimately, I caved because they vowed help…

The Silverline Facebook page was launched in February. It now has 1370 people who like it and 1377 who follow it (so…I guess this means that 7 like but have unfollowed). Immediately, and much to my surprise, I started getting submissions and feelers for submissions. I told them all to wait until 2020 (all but one—more on that later) that I just wasn’t prepared for it.

The Silverline website launched on June 18. It wasn’t—and still isn’t—complete by any stretch of the imagination, but thanks to our IT support (and fantastic comic creator, too!) Jeff Whiting, we managed to put a pretty decent site together and have new content published regularly since then.

We worked with IndyPlanet to get a Silverline “store” online, and currently, these titles can be found for sale there: Cat & Mouse (v2) #1, Kayless #1, Tiny #1, Tiny #2, Tiny GN, Demon’s Tails classic GN, Switchblade classic GN, Krey classic GN, Sadomannequin one-shot, Jetstream #1. Soon to be added Cat & Mouse (v2) #2, SilverStorm (v2) classic GN, Switchblade GN.

Around that same time, we started a mailing list (email) because everyone said we should do it—so we did. Using mailchimp, we’ve got almost 400 lovely fans who have the website updates emailed to them. Eventually, we’ll do some mail list only stuff…but that’s down the road a bit…and we don’t want it to turn into “dreaded spam.”

In late June, we successfully crowdfunded Kayless #1 by Brent Larson, Luis Czerniawski, and Leandro Huergo. It was fully funded in less than 12 hours thanks to the support of many of you! (it was completely fulfilled by August, as an FYI…we need that known these days as so many crowdfunded titles are shipping late)

In September, we successfully crowdfunded Cat & Mouse #2. In doing so, we introduced upcoming superstar artist Alex Gallimore to the world! It fulfilled in late October and in November…

The Wellness Family Coloring Book, the first non-comic print publication by Silverline was also successfully crowdfunded, thanks to Silverline CEO, BJ Mann. It features art by Thomas Florimonte!

Silverline made the first official appearance at the Daytona Beach Comic Con! It was the largest gathering of Silverline at a show ever—in any phase (I think 5 was the previous record set, and that was done at Coast Con in the early 90s).

Also, at various points in time SINCE February, we dusted off a few formerly shelved projects:

  1. *Bloodline, 1 shot
  2. *White Devil II, 4 issue mini
  3. *Friar Rush, 3 issue mini

We also put into production:

  1. *Divinity, 4 issue mini
  2. *Twilight Grimm, 4 issue mini
  3. *Speck, OGN

We’ve sent out two additional publishing agreements: one to an indy writer I met on the con circuit, and one to a former student of mine. Once those are signed, we’ll add their projects to our growing list!

2019 was very busy for Silverline. Next week I’ll write about what 2020 has in store, including some of the projects mentioned above. Merry Christmas to you all!

03Dec/19

Silverline Title Spotlight: Pendulum, 1-4

From a small, coastal village in New England to the sprawling metropolis of New York comes Dr. Hildy Row, also known as the Pendulum. This four-issue story titled Big Hand, Little Hand follows Dr. Row’s spiritual degradation as it runs in tandem with his ascent into being a masked hero.

Pendulum is a different take on the idea of a superhero comic. More reluctant than a hero, Dr. Hildy Row tells a lot of the story through narration and reflection a reader would find reminiscent of a hard-boiled noir tale. This narration comes directly from his journal which has been recovered and transcribed post-mortem.

From his journal, we learn a lot about Dr. Row and the many ways in which life has become both tragic and extraordinary. In his own words, he is an “Unqualified Genius,” having earned a doctorate at a young age and being the only man to come close to cracking the code for immortality, despite a history of violence and social ineptitude. His dearest friend and mentor Frederick DeLaCroix, founder of Tougher Technologies, Inc., set Row up with a grant that fully provided for an isolationist lifestyle with a simple agreement. Every year, Row turns in his notes, as disorganized as they may be, then the company turns them into marketable products. No questions asked on either side. Yet at the same time, he has developed a literal death wish.

Issue 1 brings us into Dr. Row’s story after his friend and mentor, Frederick DeLaCroix’s passing. He and his wife Lucy were expecting a child, who they, unfortunately, lost in a miscarriage. The rift this caused in their relationship was so great that Lucy had to leave. Dr. Row is left alone in his home in a small ocean side village in New England. Where he remains in bed for the following three days. His sister and brother long since estranged, Hildy Row now finds himself without friends or family. His entire world has collapsed around him.

Eventually, Row emerges from his self-imposed isolation and returns to his laboratory. There he completes his work on a serum that could offer immortality. A serum he began working on as a promise he made long ago. Yet, when he decides to test it on himself, he hopes the serum fails. The result being his death. To his disappointment, he awakens, very much alive. Row walks through the park side of an inlet that he frequents to think about his current reality and what went wrong.

Through an unfortunate chain of events, the inlet is set ablaze and a boy is trapped on a jetty by the flame. Almost unconsciously, Row runs headfirst in the flame and emerges with the youth untouched by the roaring fire. Only there is no pride or sense of dignity in the actions he took that day. He knows the real reason he attempted to save that boy was in hopes that the flame would consume him.

Row returns home to wallow in his shame and the public’s new perception of him. The adoration that he feels is misplaced reminds of the way people look up to caped superheroes. Then and there he commits himself to become one of these heroes. Daily, there are confronted with life or death situations. He hopes that one of those days, the villains will catch up to him. Granting him a death that he feels would free of shame. However, a new problem arises in the form of a PARA attack. A side effect of the serum, paroxysmal atemporally rapid aging, causes him to age and de-age several years in a matter of seconds.

With a mission ahead of him and the curse of his immortality serum handicapping him, Row begins on a mission that will bring him into direct conflict with an executive at his benefactor’s company, and a member of the scientific community that he idolizes.

More than just another superhero comic, Pendulum is the story of how one man’s tragedy brings him to do the extraordinary, even if for the wrong reasons initially. The unique style of narration allows the reader to connect with Dr. Row in a way we can’t with many comic book characters. He takes the reader on an emotional roller coaster as he, himself, works to understand why he wishes for the end. Row goes through a complicated metamorphosis as he realizes that he may not need to die, but rather that he only needs to kill part of himself so that the rest of him may continue living.

This is the kind of story that flips the superhero genre on its head. The tale is an interwoven web of family trauma, corporate intrigue and espionage, complex emotional growth, and deadly dealings with one’s idols. With a rich and deep narrative delivered both in art and prose, it feels like a reader could just as easily be reading a classic noir thriller novel as much as a “cape-comic.”

Creator, writer, and penciler John Drury also gives the reader a little peek behind the curtain of his mind with each chapter in the story of Pendulum. At the top of each issue, Drury talks about the unique aspects of that respective issue’s creative process and how that translated into bringing Dr. Row’s story to life. John also worked on Silverline’s Sirens as a penciler, and Cat & Mouse as an inker.

Pendulum was inked and lettered by Ted Slampyak who also worked on Neil Gaiman’s Mr. Hero – The Newmatic Man as a penciler and cover artist. Slampyak also worked as the writer and artist for Annie in 2013.

Pendulum also featured letters by Debbie Woods in issues 3 & 4, who has also worked on Cat & Mouse.

Covers were done by Steven Butler and Ken Branch for issue 1; Ken Branch on issue #2 and #3; John Drury and Thomas Florimonte on issue #4. Tom O’Connor provided the colors for all covers. Steven Butler has also worked as the penciler on X – Men Legion – Shadow King Rising , Sonic the Hedgehog, Silver Sable, and as a cover artist on Lady Death. Ken Branch has also worked on 28 Days Later as penciler. Ken also inked titles such as Cat & Mouse, Green Lantern: Kyle Rayner and Iron Fist: The Book of Changes. Thomas Florimonte has inked Cat & Mouse and other titles, and is the creative force behind Zomboy.

29Oct/19

Silverline hits Daytona Beach in big way!

Daytona Beach Comic Con

has always been a favorite of locals. One of the true “comic” conventions, DBCC focuses on –get this: comics. A few years ago, Silverline founder Roland Mann noted “There are more back issue comics here than at MegaCon.” There is also always a nice assortment of comic creators at the show.

And this year, Silverline will be making its first “Phase 3” appearance as a company. In attendance will be Sidney Williams (Mantus Files, Scary Book, Marauder, Sirens and the upcoming Bloodline!), Brent Larson (Kayless), Alex Gallimore (Cat & Mouse), John Metych (Sniper N Rook), Roland Mann (Cat & Mouse, Demon’s Tails, Switchblade, Krey, Tiny). Additionally, Thomas Florimonte is a recent addition to the show. Thomas inked Demon’s Tails and is working on an upcoming project—more news on that later.

There will be limited Daytona Beach Comic Con exclusive comics, so be sure to show up early to get them—supplies ARE limited!

Lastly, there is a Silverline “goody” in the convention bags for all attendees! It’s a surprise that not even those in-the-know at Silverline know. Roland has had a very difficult time keeping it a secret!

So much fun happening there, don’t miss the show on November 3. That’s THIS Sunday!

Other appearances:

November 15-17, Memphis Comic and Fantasy Convention, Memphis TN. Roland Mann and Thomas Florimonte will be comic creator guests.

Cat & Mouse #2 fulfillment happening!

As you read this, I’m likely at Ka-Blam helping them (getting in their way, more than likely!) package up comics with goodies to mail out to all the lovely folks who supported the recent kickstarter.

Thanks again to all of you who follow this page and support us in so many different ways.