Tag Archives: Steven Butler

29Sep/20

Silverline Creator Spotlight: Roland Mann

Each month we’ll be shining the spotlight on a Silverline creator and sharing their secret origin story, learning what makes them tick, and giving you the scoop on how they came up in the comics world.  

Up this time is Roland Mann, a comic book writer and editor who has worked for such titles as Cat & Mouse, Miss Fury, Planet of the Apes, Battletech…and for such companies as Aircel Comics, Adventure Comics, Eternity Comics, Caliber Press, Comico, and others…as well as his work for Silverline Comics, of course.

Now, without further ado, we present to you…

12 Questions with … Roland Mann

SILVERLINE: So, who are you and where do you hail from? 

I’m Roland Mann. I was born in Memphis, Tennessee, and grew up in Mississippi. I often call Arkansas my home, because that’s where most of my people are. Anyone who knows me knows that I cheer for the University of Arkansas Razorbacks…that’s kinda in my blood.

SILVERLINE: What would you say it is you do here at Silverline?

I’m the co-founder (along with Steven Butler, who went on to a stellar career!), chief wrangler of getting things done, and writer of a bunch of things.

SILVERLINE: Where might Silverline readers have seen your work previously?

The first volume of Cat & Mouse saw print in 1989 under EFGraphics. It then moved to Aircel Comics (a division of Malibu) for the complete run. I wrote other comics for companies like Adventure (Planet of the Apes), Eternity (Battletech), Caliber (Krey), Comico (Vortex), Malibu (Arrow, Ex-Mutants), and even had an Ultraverse title (Eliminator). A lot of people know me for my editing time at Malibu, though, where I edited the Protectors line of comics as well as a bunch of Ultraverse comics.

SILVERLINE: When you’re not making great Silverline comics, what do you do in your spare time? What are your hobbies?

I don’t have a whole lot of spare time since re-launching Silverline as I teach creative writing at Full Sail University. I enjoy spending time with my family. My hobbies are mostly boring as I love to both read and write in my spare time. I’ve got three finished novels that I’m hoping to do something with some day. I’m a huge student of history and was a civil war reenactor for several years until I just couldn’t find the time to put in to it. While I still enjoy it, it isn’t very PC today.

SILVERLINE: Many creators at Silverline have been in the comics industry for years — what’s kept YOU plugging away at comics?

That’s a simple one: I love comics. I love the medium and what it can do. I love the art of the stories. Yeah. I love comics.

SILVERLINE: What was the first comic you remember reading that made you think, “Hey, I could do this!”

Cobra. It was an independent comic published by the guy who ran the local comic shop. It was the first time I ever met anyone who’d worked on a comic. I bought it. Read it and immediately thought “I could do this!”

SILVERLINE: What’s on your playlist? Who/what music do you listen to, and do you listen to it while you work?

I’m a metal/prog rock guy. I don’t really do a lot of variety. I pretty regularly listen to Neal Morse and Theocracy. There are others, of course, but these two always work their way to the top. Neal Morse puts out so much new music, he’s an inspiration to anyone who creates!

SILVERLINE: Who were some of your earliest influences on your writing ?

In comics, that’s easy: Stan Lee, Roy Thomas, and Steve Englehart. Otherwise, Ray Bradbury, Isaac Asimov, and Stephen Crane. It’s been a couple of years, but I read Red Badge of Courage every couple of years.

SILVERLINE: What was the first comic you ever worked on professionally?

Cat & Mouse #1, published by EFGraphics in 1989!

SILVERLINE: Can you still read that comic today without wincing?

I can. Oh sure, there are things I’d edit today. But while it was my first professional work, I’d been honing my craft of writing for several years.

SILVERLINE: What are some non-Silverline independent comics you would recommend to readers?

I think Elementals should be read by all. Scout is another favorite of mine. I also like Bone, Cerebus, Saga…and several others that I’m drawing blanks on right now.

SILVERLINE: If you could go back in time and give your younger self one piece of advice that would help them better navigate the comics industry, what would it be?

It isn’t enough just to learn how to write and tell stories, learn to navigate the business end of things and learn how to market. You can write the greatest story in the world, but if no one knows about it, you’ll only hear good things from your friends and your mama.

SILVERLINE: After you die, would you rather your memory be memorialized with an overpass or a parking lot?

An overpass. I like the idea of high-fiving everyone as they pass by!

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02Jun/20

Silverline News: Double Feature KS ending in four days

Close as of this writing!

The kickstarter for the Silverline Double Feature of Divinity #1 and Twilight Grimm #1 is close to making goal as I write this up. Currently, there are 134 backers pledging $5,576 making 92% of goal. If you’re reading this and haven’t backed, remember that the comics are done, we just need the funding to print and ship them to you! And of course, we know you’re going to love them. So get on over and pledge if you can: https://www.kickstarter.com/projects/rolandmann/silverlinedoublefeature1

Silverline Live now 3 times a week!

Yep, it’s true, and that’s our big news this week. Tomorrow (Wednesday, June 3), longtime Silverline creator Sidney Williams will be talking with a good bit of the creative teams behind Divinity and Twilight Grimm. We have it on good authority that even R.A. Jones will be joining the group via phone! https://www.facebook.com/events/2660675587554560/

Then, Sunday night (June 7), Roland will talk with a host of those who weren’t part of the Wednesday chat. They’ll talk about crowdfunding in general. Then, on Monday night, the first Silverline Live: 1on1 will debut as Roland sits down to talk with Thomas Florimonte (who will be inking at the same while he talks!).

So, if you’ve got questions, post them on the Silverline FB group page. We’ve created event pages on FB as we’re going to try them out, see if they work to help generate questions before we go live.

Next Kickstarter

Kickstarter Exclusive cover by Steven Butler

We know the current one isn’t over yet, but we wanted to let you know that we already know what we’ll be kickstarting in July, after we’ve got fulfillment (or at least most of it) for the Silverline Double Feature #1 done. July will see two Sidney Williams written comics: the first is Bloodline, an adaptation of the short story written by Sid and Robert Pettit. Bloodline is penciled by Rob Sacchetto, inked by Terry Pallot, and colored by Jeremy Kahn. The other is Friar Rush #1, the first of a three issue mini-series. It’s penciled by Aaron Humphres, inked by John Martin, and colored by Rebecca Winslow. And oh—guess what, BOTH of these are already finished. RIGHT? Two months before we even crowdfund, these are done!

Don’t forget to like us, follow us, heart us, favor us, subscribe to us, and all those social media things! As always, thanks for your support!

28Jan/20

Silverline Title Spotlight: Krey,1-5

Oil your sword, and throw on your leather armor for a saga of fast-paced action, forbidden romance, and brutal betrayal set in a world where barbarians rage in an epic struggle with their mutant neighbors across desert steppes. Krey is the tale of a human raised by mutants who pursued battle, glory, and family.

Krey is a unique tale on the Silverline roster. This fantastical tale tells the story of a man born of humans, raised by mutants, called to battle, and longing for a familial relationship that has repeatedly been denied to him. Krey navigates social dynamics in a world divided through the eyes of a twice-orphaned foot-soldier who is driven to greatness. The reader follows Krey as he discovers his place in the world, and finds that his ability to change the world doesn’t just come from his prowess with the blade but also the depth of his convictions.

The legend of Krey begins when he is a babe in the realm of humans. Krey’s village is raided by mutants, the beings who inhabit this world alongside humanity. Years of hate on both sides have bent both factions against each other. While some try to live together, the powerful often find it easy to use the “others” as scapegoats for their wars. The mutant who stumbles across Krey as a babe proves to be compassionate and takes the boy as his own, along with the Krey’s family sword.

Krey yearned to be a warrior from a young age, growing up in the mutant village. He would sneak out to train with his father’s sword. When Krey came of age, he joined the combat games. In these games, the mutant tribesman showed what kind of warrior they were. While he fell short as a marksman, Krey excelled as a swordsman. The games are cut short when the village is attacked by a band of human raiders. Krey watches as all his friends are cut down. Krey rushes to check on his adoptive father, who has been struck down in the attack. His last command to Krey is to run, take up his father’s sword, and never forget what he saw that day. In the surrounding melee, Krey kills his first man before escaping.

The second issue takes us to Tae Steppe in the Realm of the High Priestess. The city has allowed for humans and mutants to live in a stable if uneasy coexistence. Years have passed since Krey fled the annihilation of his human village and Tae Steppe is now celebrating the Time of Rebirth. The festival is divided into three events. Each event is a different test of martial skill. The victor of each will earn an honored posting in the High Priestess’s army. Krey has joined the festival with two other warriors of note, Etedh, and Calican. All of them hoping to use the festival as a way to accelerate their military career so that they might one day join the High Priestess’s elite force, The Red Guard.

He loses the archery competition to Etedh and the melee to Celican, but he quickly earns the adoration of the crowd. The human’s love his charisma and dominating presence. The mutants are proud of him as he was raised as a mutant. This earns him the spite of Etedh, who is revealed to have a strong prejudice against his mutant neighbors. During both of the previous events, a beautiful mutant woman catches the eye of Krey. Not only is he distracted but he is immediately driven to find out what her name is. The night before the final event, Krey accepts the hospitality of a mutant family. He shares their dinner table and sleeps in one of their guest rooms. The father of the family is also able to share the name of the woman Krey spotted, Netanya. Krey defeats Etedh in the last event, the test of swordsmanship, the Steel against Steel. As champions, Etedh, Celican, and Krey are all offered the opportunity to train to join the High Priestess’s army. Krey then offers the prize wreath he earned to Netanya.

Krey and Netanya unite in what becomes a controversial marriage. Krey’s story unfolds as he struggles with balancing his goals as a warrior and having a family after his birth and adoptive families were taking from him. He must also contend with the biases that dominate the world around him when he, himself, does not understand them. The story of this berserker and his family continues throughout the saga in a story of betrayal, rebellion, and revenge.

Krey isn’t just another fantasy sage. It weaves a tale of complex social politics and dynamics through the lens of a man who was molded by two different peoples that have spent their existence trying to put an end to the other.

Krey is a man of strong conviction in a world that challenges his beliefs at every level. Krey holds only love for mutants despite being told that, as a human, he should despise them. Instead, he lives among the mutants as one of them in hopes that they might share the world with humans. He is a skilled warrior who has spent his life seeking battle, yet takes no joy in the act of killing. This conflict gets highlighted in his relationship with the xenophobic Etedh. As these worldly matters tug at the fabric of Krey’s character, Krey finds himself struggling with the balance of family and duty. All he has known of a family is loss, so to Krey, a family is the most precious thing in life. He views his duty as a warrior also as a deep-seated part of his character. The Realm of The High Priestess espouses the idea of cohabitation between mutants and humans. To Krey, that is an ideal he will fight and die for. More than once, these dreams have come into conflict with each other. Sometimes with mortal consequences.

The conflict in Krey’s personality is smartly done and drives the story in ways other fantasy series have fallen short of. Though the action, big swords, and rippling muscles are a large aesthetic plus, the emotional conflict in Krey and the social conflicts of the world are what pulls the reader into the series.

Written by Roland Mann who, besides being my boss, is an accomplished writer and educator. He currently serves and the Editor-In-Chief and Publisher here at Silverline. Roland has also had postings at Malibu/Marvel Comics. Other titles Roland has written include Tiny, Rocket Ranger, Miss Fury, Planet of the Apes, Battletech, and Demon’s Tails.

Krey was originally published by Gauntlet Comics as issues 1-3, and Krey Special Edition.

Art for chapters 1,2, and 3 was done by Steven Butler. Steven is well known for his work on Archie Comics and Sonic the Hedgehog.

Criss Cross also provided art for chapter 3. He is known for working on titles such as Captain Marvel, Firestorm, and Blood Syndicate.

MC Wyman drew the art for Chapter 4. He is known for working on titles such as The Mighty Thor, Daredevil, Silver Surfer, and many others.

Chapter 5 was penciled by Jack Keefer. Jack also inked chapters 2,3,4 and 5. He has also worked on Marvel’s Northstar.

Chapter 1 was inked by Ken Branch who has worked for just about every major publisher including DC, Marvel, Valiant, Image, and Malibu.

Floyd Robinson also contributed ink to chapter 3. He has also worked on titles such as Thor and Batman.

Nick McCalip provided letters for chapters 1 and 3. Nick’s work can be seen in works such as Silverline’s Cat and Mouse and Malibu’s SilverStorm.

Chapter 2 received lettering from Dan Nakrosis. Who has worked on titles such as Archie, Sonic the Hedgehog, Berserk, and the X-Men Manga.
Rik Mayo also contributed letters to Chapter 3. Rik’s work can also be seen in The Mantus Files.

Debbie Woods lettered Chapter 4.

03Dec/19

Silverline Title Spotlight: Pendulum, 1-4

From a small, coastal village in New England to the sprawling metropolis of New York comes Dr. Hildy Row, also known as the Pendulum. This four-issue story titled Big Hand, Little Hand follows Dr. Row’s spiritual degradation as it runs in tandem with his ascent into being a masked hero.

Pendulum is a different take on the idea of a superhero comic. More reluctant than a hero, Dr. Hildy Row tells a lot of the story through narration and reflection a reader would find reminiscent of a hard-boiled noir tale. This narration comes directly from his journal which has been recovered and transcribed post-mortem.

From his journal, we learn a lot about Dr. Row and the many ways in which life has become both tragic and extraordinary. In his own words, he is an “Unqualified Genius,” having earned a doctorate at a young age and being the only man to come close to cracking the code for immortality, despite a history of violence and social ineptitude. His dearest friend and mentor Frederick DeLaCroix, founder of Tougher Technologies, Inc., set Row up with a grant that fully provided for an isolationist lifestyle with a simple agreement. Every year, Row turns in his notes, as disorganized as they may be, then the company turns them into marketable products. No questions asked on either side. Yet at the same time, he has developed a literal death wish.

Issue 1 brings us into Dr. Row’s story after his friend and mentor, Frederick DeLaCroix’s passing. He and his wife Lucy were expecting a child, who they, unfortunately, lost in a miscarriage. The rift this caused in their relationship was so great that Lucy had to leave. Dr. Row is left alone in his home in a small ocean side village in New England. Where he remains in bed for the following three days. His sister and brother long since estranged, Hildy Row now finds himself without friends or family. His entire world has collapsed around him.

Eventually, Row emerges from his self-imposed isolation and returns to his laboratory. There he completes his work on a serum that could offer immortality. A serum he began working on as a promise he made long ago. Yet, when he decides to test it on himself, he hopes the serum fails. The result being his death. To his disappointment, he awakens, very much alive. Row walks through the park side of an inlet that he frequents to think about his current reality and what went wrong.

Through an unfortunate chain of events, the inlet is set ablaze and a boy is trapped on a jetty by the flame. Almost unconsciously, Row runs headfirst in the flame and emerges with the youth untouched by the roaring fire. Only there is no pride or sense of dignity in the actions he took that day. He knows the real reason he attempted to save that boy was in hopes that the flame would consume him.

Row returns home to wallow in his shame and the public’s new perception of him. The adoration that he feels is misplaced reminds of the way people look up to caped superheroes. Then and there he commits himself to become one of these heroes. Daily, there are confronted with life or death situations. He hopes that one of those days, the villains will catch up to him. Granting him a death that he feels would free of shame. However, a new problem arises in the form of a PARA attack. A side effect of the serum, paroxysmal atemporally rapid aging, causes him to age and de-age several years in a matter of seconds.

With a mission ahead of him and the curse of his immortality serum handicapping him, Row begins on a mission that will bring him into direct conflict with an executive at his benefactor’s company, and a member of the scientific community that he idolizes.

More than just another superhero comic, Pendulum is the story of how one man’s tragedy brings him to do the extraordinary, even if for the wrong reasons initially. The unique style of narration allows the reader to connect with Dr. Row in a way we can’t with many comic book characters. He takes the reader on an emotional roller coaster as he, himself, works to understand why he wishes for the end. Row goes through a complicated metamorphosis as he realizes that he may not need to die, but rather that he only needs to kill part of himself so that the rest of him may continue living.

This is the kind of story that flips the superhero genre on its head. The tale is an interwoven web of family trauma, corporate intrigue and espionage, complex emotional growth, and deadly dealings with one’s idols. With a rich and deep narrative delivered both in art and prose, it feels like a reader could just as easily be reading a classic noir thriller novel as much as a “cape-comic.”

Creator, writer, and penciler John Drury also gives the reader a little peek behind the curtain of his mind with each chapter in the story of Pendulum. At the top of each issue, Drury talks about the unique aspects of that respective issue’s creative process and how that translated into bringing Dr. Row’s story to life. John also worked on Silverline’s Sirens as a penciler, and Cat & Mouse as an inker.

Pendulum was inked and lettered by Ted Slampyak who also worked on Neil Gaiman’s Mr. Hero – The Newmatic Man as a penciler and cover artist. Slampyak also worked as the writer and artist for Annie in 2013.

Pendulum also featured letters by Debbie Woods in issues 3 & 4, who has also worked on Cat & Mouse.

Covers were done by Steven Butler and Ken Branch for issue 1; Ken Branch on issue #2 and #3; John Drury and Thomas Florimonte on issue #4. Tom O’Connor provided the colors for all covers. Steven Butler has also worked as the penciler on X – Men Legion – Shadow King Rising , Sonic the Hedgehog, Silver Sable, and as a cover artist on Lady Death. Ken Branch has also worked on 28 Days Later as penciler. Ken also inked titles such as Cat & Mouse, Green Lantern: Kyle Rayner and Iron Fist: The Book of Changes. Thomas Florimonte has inked Cat & Mouse and other titles, and is the creative force behind Zomboy.

17Sep/19

Silverline Character Spotlight – DEMON

This week’s character spotlight focuses on the Kevin Bacon of the Silverline Universe, although “six degrees” are more than necessary to connect Demon (Dr. Keith Grayson) to each of the major heroes (and villains) in the Silverline Universe– and beyond!  In fact, Demon is even destined to encounter the newest incarnation of Cat and Mouse in their next issue! The Kickstarter for Cat & Mouse #2 is live NOW . . . why don’t you go check it out now! It’s ok . . . we’ll wait for you while you take a peek and hopefully become a backer!  https://tinyurl.com/CnM-2-KickStart

From the inception of the Silverline Universe, Demon has been the most prolific character, appearing across a multitude of titles and issues.  Beginning with his first-page appearance in the original Cat & Mouse series, continuing through his own Demon’s Tails mini-series, making a surprise multi-page appearance in the second SilverStorm mini-series, inadvertently providing the base of operations for the combined forces of characters from both Silverline and Beta 3 Comics (which was the first in-cannon synergy of these two universes!), and, now making his presence known in the aforementioned forthcoming Cat & Mouse Volume 2, Demon’s connections are varied and far-reaching!

Over the course of his many appearances, Dr. Keith (Demon) Grayson has worn many hats.  A veterinarian. A small-business owner. A hopeless romantic. A god-figure for a murderous cult (what?). A brother. A long-term goldfish sitter. A laboratory-accident survivor. A reluctant adventurer. An avid TV watcher.  A son. A Led Zeppelin fan. An emergency surgeon. A confidant. An aficionado of fedoras and trench coats. A man who lives out his days in seclusion in a mutated body distinguished by giant crests on his head and his body encased in brown fur with not one . . . not two . . . but THREE tails. Did we mention that all three tails can regenerate should they become severed from his body???? This revelation was equally surprising to Dr. Grayson, after finding himself on the wrong end of a katana blade (double what??)

Dr. Keith Grayson’s introduction to the first duo who utilized the monikers of “Cat” and “Mouse” occurred after Mouse (Mandy Paige) was shot in the back and Cat (Jerry O’Neil) was seeking immediate medical assistance.  Seeing only the word “clinic” outside Dr. Grayson’s establishment, Cat carried Mouse into the building . . . the veterinary clinic . . . and demanded that the doctor extract the bullet and stabilize the patient.  After an initial quarrel about the medical legality and integrity of the demand, Dr. Grayson extracted the bullet, nursed the patient back to health, and eventually became Mandy’s romantic partner and confidant.  However, before the spark of romantic interest turned into a full flame of relationship, Demon, attempting to protect Cat and Mouse’s secret identities, faced their former trainer and master – Kunoichi – in battle.  It was at her hand that he lost his tails . . . but that made wearing pants on dates that much easier!

Demon’s attempts to track, and take down religious cult worshipers from the Cult of Abaddon began in the Cat & Mouse series and concluded in Demon’s own mini-series, Demon’s Tails (available for purchase in both digital and print form HERE – https://indyplanet.com/demons-tails and soon to be available in color!).  In this series, Demon was pursued by, and later partnered with, the Chicago Champion (better known in the Silverline Universe simply as “Champion”).  The two battled and took down the Church of Abaddon, its evil leader (who had undergone a physical metamorphosis himself), and rescued Demon’s sister Cheryl from being a human sacrifice.

Demon has also encountered Silverline’s most “in-universe” celebrated heroes – Tempest and Silver Dollar, who had, previously, saved the United Nations from the tyrannical attack by Dr. Fear and his clones.  In this quick, coincidental, almost accidental meeting, Tempest and Silver Dollar were tracking a duo of deadly ne’er-do-well’s, code-named Skull and Crossbones. Demon, knowing Kunoichi’s penchant for training male-female duos with distinctive yet complementary names, directed the heroes to her dojo to obtain leads.

Many, many months later, while watching TV during the day, Demon received a phone call from his employee – Nancy – who works as a nurse in his clinic.  She told him to quickly change the channel.  Live news coverage was showcasing a battle in downtown New Orleans.  Demon immediately recognized Tempest and Silver Dollar . . . but was shaken to the core when he saw two masked individuals in the brawl as well.  He sped from his apartment to the battle scene; the duo he thought he may have seen on TV was not them at all, but he had deduced (due to knowledge gained during his goldfish babysitting the night before), that there was a direct link between this duo and some long lost friends of his.  Along with Tempest, Silver Dollar, and Champion, Sniper and Rook (covert government operatives working under the command of General Davis Jefferson) joined Demon at his clinic that night and the group – which would strengthen to become more a team – and the collection of heroes began their globe-spanning adventure to save the planet from evil and tyranny.

At the end of that adventure, Demon’s whereabouts had become unknown except to his closest confidants (and the watchful eye of the United States government). Demon has remained, literally, in the shadows until his very unexpected, yet quite welcomed, upcoming reappearance in New Orleans (Cat & Mouse #2, vol 2).

Created and brought to life by Roland Mann, Demon truly has been the lynchpin of the Silverline Universe and Demon has been illustrated by some of the most impressive artists in the industry.  Mitch Byrd penciled Demon’s many appearances in the first Cat & Mouse volume, Paul Pelletier provided his artistic talents as penciller on the Demon’s Tails mini-series, Bill Maus is currently illustrating the globe-spanning adventure featuring Demon in the Beta 3 Comics / Silverline crossover series, and Demon’s return to Silverline in Cat & Mouse Volume 2 #2, now on Kickstarter as mentioned above, features Dean Zachary and Alex Gallimore as series pencillers.  Steven Butler, who had served as Silverline Art Director, penciled and inked some of the most definitive illustrations of Demon on two Cat & Mouse covers – issues 3 and 15.

Whether you are being newly introduced to Demon, or are an old fan looking forward to his long-awaited return, the adventures that seem to follow him are wonderfully written and illustrated.  Be sure to check out all of his past appearances so you’ll be up to date when Cat & Mouse Volume 2 #2 becomes available!

16Jul/19

Silverline Title Spotlight: Cat & Mouse Vol 1., 1-4

The synopsis printed of the back cover of “The Cat & Mouse Collection”, this titles’ first compilation graphic novel, succinctly began with the following quote: “Jerry was a cop. Mandy was a crook.” 

This statement was short, brief, accurate, and immediately provided the reader insight into the foundations of the series’ two main characters. However, both Jerry and Mandy, as well as the very “Cat & Mouse” comic itself, would quickly evolve far past that base introduction into something much more intricate and even more compelling . . .

As Silverline’s first, and longest-running, title, “Cat & Mouse” established itself as the cornerstone of a growing Silverline Universe.  “The Cat & Mouse Collection” bundled the first four issues in the series (though FIVE issues worth of pages due to a double-sized first issue!!) into one easy-to-read volume.  The Collection chronicles the lives of our titular duo – Cat (police officer Jerry (Jared) O’Neil) and Mouse (crook and reform school inmate Amanda (Mandy) Paige) and also establishes the world in which their adventures take place.

Eschewing formulaic first issue introductions, neither Cat nor Mouse were featured in the title’s opening segment.  That honour went to Dr. Keith Grayson, who would assume the name of Demon in this very opening sequence and, through a series of events, became cemented as one of the most important – if not the most important – supporting cast member.  Dr. Grayson served in many capacities throughout this series,  which helped establish him as a key linchpin to the entirety of the Silverline Universe.  Both the reader and Dr. Grayson are introduced to our title characters, and are brought up to date on their story, together.  Dr. Grayson’s – Demon’s – first encounter with Cat and Mouse occurs as our duo are midway through an adventure of their own and find themselves in desperate need of assistance.  Would Dr. Grayson answer the call?

Meanwhile, a mysterious martial artist, later revealed to be named Kunoichi, stalks our main duo for the better part of this story arc – but why?  Is she friend or foe?  Or something all together in-between? After a series of breaking and enterings to gather intel on Jerry and Mandy, Kunoichi locates and infiltrates their apartment, lying in wait for their return.  Demon uncovers Kunoichi’s plan to (possibly) ambush his friends, leading him to rush to their domicile to warn our duo . . . especially one of them.  An epic battle between Kunoichi and Demon ensues, relationships and intentions are revealed, and Demon is left . . . altered . . . from this encounter.

The first “Cat & Mouse” story arc also, very subtly, introduces a character who would become deserving of his own title (one day!!) and who would serve as the role model for many others in the growing Silverline Universe of characters. This character reveal also serves to expand the scope of the title – and therefore the Silverline Universe itself – past the confines of New Orleans and well into the metropolis known as Chicago. 

The adventures Cat and Mouse undertake in this first collected edition span multiple genres and themes including crime, martial arts, vigilantism, the advent of masked heroes, and yes, even romance. However, romance does not always have to spark between the two main characters of a title . . .

“Cat & Mouse” is an action packed series that focuses on establishing and developing fun characters, utilizing witty dialogue, and integrating some of the best sound effects to ever grace the pages of a comic book.  The series never shys away from delving into deep topics such as police corruption, worries about public acceptance for being “different”, and evolving roles from adversaries to reluctant partners to caregiver and patient.  It also expertly explores themes of trust, loyalty, honor, mentorship, progeny, redemption, and legacy.

The team behind the creation of “Cat & Mouse”, the series, is impressive to say the least.  Three previously unpublished creators united to create this wonderful series.

Roland Mann, series writer and Silverline Editorial Director, would, later in his career, become writer, editor and eventually Managing Editor at Malibu Comics.  He has been the driving force of Silverline as a publisher, including the current relaunch of the brand!

Mitch Byrd, series artist, would, later in his career, grace multiple Malibu comics with his artwork as well as provide artwork for myriad publishers on a plethora of titles.  Mitch held a notable run on the Green Lantern character “Guy Gardner: Warrior” title.

Steven Butler, inker and Silverline Art Director, served as penciller on Silverline’s second title, “SilverStorm” and would go on to produce work for Malibu, Marvel, and Archie, to name a few publishers. Mr. Butler was able to showcase his range of artistic skills while illustrating characters as diverse as The Badger to Sonic the Hedgehog and holding notable runs on Marvel’s “Silver Sable” and “Web of Spider-Man”.

Also providing inking skills to this first collection was Roland Paris, who later went on to ink many titles at Marvel Comics.

On the cover of “Cat & Mouse” #1 features the following quote from Steve Englehart (noted and celebrated comic book veteran): “Talk about your one-two punch! Fun characters, fun art! This is what every new comic ought to be!” Mr. Englehart was right, of course. He was so very right!! If you have not yet read the original “Cat & Mouse” collection yet, what are you waiting for? ?

18Jun/19

Silverline Launch and Kickstarter

LAUNCH!

The EFGraphics publication of Cat & Mouse #1 by Roland Mann(w), Mitch Byrd(p), and Steven Butler(i).

All systems go for Silverline! 2019 is the 30 year anniversary of the publication of C&M #1 from EFGraphics, the very first published Silverline related title. We’ll tell an expanded version of the story later, but the short version is that we attempted to publish ourselves in 1988, but didn’t have the funds. John Drury and EFGraphics stepped in with a nice offer and published the first issue of Cat & Mouse #1 in color. EFG was also publishing Jazz Age Chronicles by the talented Ted Slampyak. EFG folded before C&M #2 could be printed (I still have all the color film for that issue–yes, I really do).

We took the EFG issue and submitted it all around, ultimately choosing Malibu’s Aircel as the new home. Cat & Mouse then ran for 18 issues before the series ended.

As it happens, May of 2019 is also the 20 year anniversary of the publication of John Metych III’s Sniper & Rook, from Beta3 Comics. We’ll talk more in the future about why that is important. But for now…

Kayless #1 Kickstarter is Live! Please check it out and consider supporting it.

In the 1960s, the CIA sent astronauts into space…and lost them. Until today…

Kayless #1 is the first official Silverline kickstarter and it is live today. Please visit it here: https://kickstarter.com/projects/rolandmann/kayless-issue-1

Kayless: In the 1960’s, astronaut Scott Anders blasted off into orbit as part of a secret government-sponsored space program. Its purpose was to investigate a phenomenon in deep space known as the Kayless Rift. Three days later, Scott’s ship disappeared. The mission was covered up and forgotten.

Until today…and our series. Planned to be 5 issues, this is the first–and the comic is completely finished! Hopefully you’ll check it out!

While we could consider Tiny and C&M #1 (vol 2) to be Silverline crowdfunded projects, they were more unofficial, than official.

Website

The website will be the home of the Silverline blog, which will be updated weekly. In rotating weeks, we’ll post: news, creator spotlights, appearances, title overviews. If you’ve got requests, send’em! We hope to make the creator spotlights personal and informative for you, not just a hype of the creator’s current projects. So if you’ve got a question you’d like to see a Silverline creator answer, send it in now so Wes can add it to the list. The appearances post will simply be a monthly listing of where you can find Silverline creators appearing: conventions, comic shops, podcasts(if we can get that info in time) so that you can find them and have them sign your favorite comics and maybe pick up some new ones.

The website also features bios of your favorite Silverline creators and summaries of Silverline titles. IndyPlanet is the Silverline select store for ordering, and there is a link to the Silverline store right on the website.

Spread the word to all your friends: www.silverlinecomics.com is live!

Email list

We’ve started an email list via mailchimp–some of you are getting and reading this via mailchimp already–thank you. We know that checking in on a blog can be difficult to remember and we encourage you to sign up for the email list. We’ll occasionally do things for those on the list before any other media–things like crowdfunding announcements so you can have first dibs at special rewards and early bird rewards.

Who?

We want to keep this list exciting and informative, so we’re not going to spill all the beans right here right now about everything Silverline has planned. Instead, we’ll tease you a bit. Hopefully you already know that Cat & Mouse volume 2 is already under way. The creative team is Roland Mann(w), Alex Gallimore(p), Barb Kaalberg(i), and Kevin Gallegly(c). Issue #1 was crowdfunded last year, and we’re well on our way to finishing #2!

In addition to Kayless, two Silverline veterans bring the next two books: Sidney Williams has penned a one shot entitled Bloodline, and R.A. Jones is teaming up with Rob Davis again to bring the four issue mini-series Twilight Grimm. More on these later, but that news is so exciting we just couldn’t keep it to ourselves!

Silverline creator appearances

While this isn’t the official “appearances” post, we wanted you to know where you could find your favorite Silverline creators the rest of June.

June 22-23; Might Con St. Louis, St. Louis, MO
Barb Kaalberg

Thank you for your support! Feel free to share this all around!