Tag Archives: Jaxon Renick

02Jan/20

Silverline: Looking ahead to year 2(020)

2020 looks to be a busy year for Silverline…and that’s pretty exciting to all of us!

Panels from Friar Rush #1

For non-comics, we’ll be launching a weekly live stream. Current plan is for them to be Wednesday’s at 8pm EST. We’ll have a couple of different segments, including an indy comic review and a segment on the craft of making comics. Stay tuned for the exact launch date for it.

We’re still working on appearances for 2020, we’ve already been invited back to Daytona Beach Comic Con—and have accepted. Just not sure exactly which ones of us will be there. Roland will be at Three Rivers in Pittsburgh, his first show ever in the state of PA! More dates and appearances to come, be we hope to see a bunch of you at a bunch of shows!

We’ve got a big slate of books we’ll be releasing in 2020, so many that we may experiment with some Silverline crowdfund “packages.” Meaning, more than one book per crowdfund. Honestly, it’s exciting to look at this list to see all the content will be delivering to you—we know you’re gonna like them!

Mentioned last week in title only, the projects that are nearly complete and should ready to crowdfund very soon:

*Bloodline, 1 shot: by Sidney Williams (writer), Rob Sachetto (penciller), Terry Pallot (inker), Brian Dale (letterer). This one is finished except for the colors, which is being done by Keith Wood.

*Friar Rush #1, 3 issue mini: by Sidney Williams (writer), Marc Thomas (penciller), John Martin (inker), Rebecca Winslow (colorist), Brian Dale (letterer). The first issue is being both colored and lettered at the same time.

A page from DIVINITY #1

*Divinity #1, 4 issue mini: Created by Barb Kaalberg and co-written by R.A. Jones. It also features Alex Sarabia (penciller), Barb Kaalberg (inker), Steve Mattson (colorist) and Mike Belcher (letterer). It is nearly complete.

*Twilight Grimm #1, 4 issue mini: by R.A. Jones (writer) and Rob Davis (artist), Alex Gallimore (colorist), and Mike Belcher (letterer). The first issue only needs color!

*Kayless #2, 4 issue mini: by Brent Larson (writer), Luis Czerniawski (artist), Leandro Huergo (colorist), Mike Belcher (letterer). This issue needs colors and letters.

A bit later in the year, these should be ready:

A page from WHITE DEVIL #1

*Cat & Mouse #3, 4 issue mini: by Roland Mann (writer), Alex Gallimore (penciller), Barb Kaalberg (inker), Kevin Gallegly (colorist).

*White Devil II, 4 issue mini: by R.A. Jones (writer), Jaxon Renick (penciller), with inks by Mike Keeney and Chuck Bordell. The first issue only needs color!

*Trumps book 1; by Roland Mann (writer), Anthony Pereira and Thomas Hedglen (pencillers), Thomas Florimonte (inker), Sid VinBlu (colorist), Brian Dale (letterers).

13Nov/19

Silverline Creator Spotlight: Chuck Bordell

Each month we’ll be shining the spotlight on a Silverline creator and sharing their secret origin story, learning what makes them tick, and giving you the scoop on how they came up in the comics world.  

Up today is Chuck Bordell, who has inked for such publishers as Malibu Comics, Caliber Comics, Brainstorm Comics, Alpha Productions, and of course, Silverline Comics. Chuck has even produced art for Steve Jackson Games and Dungeon Magazine.

Now, without further ado, we present to you…

12 QUESTIONS WITH… CHUCK BORDELL

So, who are you and where do you hail from?

I’m Chuck Bordell and I grew up in Pennsylvania, but I’ve been living in Montana for the last 30 years. I stayed for the trout fishing and the 8 feet of snow we get every year, Oh yeah I’ve come across several bears as well. You’ve never felt fear until you see a bear in the wild…couple of locals, amongst others.

What would you say it is you do here?

Well, I mainly work as an inker, but I’ve done some pencil jobs as well.  I’ve done a LOT of books for Silverline, including Silverstorm 2, Marauder, Sirens, and Switchblade. Right now I’m inking White Devil.

Where might Silverline readers have seen your work previously?

 I’ve done freelance work for Malibu Comics, Caliber Comics, Alpha Productions, Brainstorm Comics. I’ve also done illustration for TSR, Steve Jackson Games, etc, and two graphic novels, Witness to War and Lunatic Fringe that I wrote and illustrated. I love the fantasy RPGs I’ve worked on because I like drawing monsters!

When you’re not making great Silverline comics, what do you do in your spare time? What are your hobbies?

I collect coins and militaria, enjoy fishing and visiting art galleries.  Studying the Civil War is also a passion.  I’d like to make another trip to Gettysburg in the near future.

Many creators at Silverline have been in the comics industry for years — what’s kept YOU plugging away at comics? What do you enjoy most about the medium, as well as your specific trade?

I just love the art form. It’s totally unique. That combination of images and words is just magic. There have been times when I thought of giving up, but I always come back to comics.

What was the first comic you remember reading that made you think, “Hey, I could do this!”

 Probably a Ross Andru Spiderman from the mid 70s. He’s one of my all-time favorite artists. .I think his run on Spiderman totally defined the character for me. My Mom still has Spiderman comics I made when I was about 10.

What’s on your playlist? Who/what music do you listen to, and do you listen to it while you work?

I mainly listen to Metal, including Metallica, AC/DC, Triumph, Dream Theater, Megadeth, Kiss, etc,  Always good to play while drawing. I need music that can keep my brain cranking while I’m working.  So yeah I’m a metalhead, although I cut off my long hair a couple years ago.

Who were some of your earliest influences on your trade?

 Ditko, Kirby, Miller, Andru, Golden. If I could have Frank Miller’s storytelling with Michael Golden’s art, I’d be a happy dude. But all of them show such creativity that I’m amazed every time I see their work.

What was the first comic you ever worked on professionally? 

 A book called Totem, drawn by Paul Pelletier, published by Alpha Productions. It was an ink job I did completely with Rapidograph pens!  Last time I ever did that. I now have so many inking tools that I need one of those mini-houses to keep everything in!

Can you still read that comic today without wincing?

 Nope. It makes me totally embarrassed even if no one else is looking,  I mean it’s not totally hideous, but my style has change a lot over the years.  Brushes are my friends now, and I use a lot of Micron Pigma pens.

What are some non-Silverline independent comics you would recommend to readers?

Courtney Crumrin, Bone, Pogo (that’s an old one, but it’s brilliant) any of the EC war books. I will pick up books I’ve never heard of before just to give them a chance. It’s only a couple bucks and you never know when you’ll find  treasure.

If you could go back in time and give your younger self one piece of advice that would help them better navigate the comics industry, what would it be?

Write and draw your own work. It’s the best way to learn and it’s the most satisfying. Even if it never gets published, there’s a satisfaction to finishing a book that’s totally your own.  I bet just about all comic artists/writers have unpublished projects in their archives.

After you die, would you rather your memory be memorialized with an overpass or a parking lot? 

 A parking lot. Open space in all directions. Then there could be enough parking for a comic convention. Chuck’s Blacktop Convention sounds good. A combination comic book/flea market/fantasy/coin show.

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Chuck is currently busy inking Silverline’s upcoming White Devil written by R.A. Jones with pencils by Jaxon Renick. What, you didn’t know about that yet? No announcements have been made yet—but you heard it here first! Also, Chuck and Roland Mann collaborated on a civil war short that was published in Chuck’s Victor’s Horror Compendium.