2020 looks to be a busy year for Silverline…and that’s pretty exciting to all of us!
Panels from Friar Rush #1
For non-comics, we’ll be launching a weekly live stream. Current plan is for them to be Wednesday’s at 8pm EST. We’ll have a couple of different segments, including an indy comic review and a segment on the craft of making comics. Stay tuned for the exact launch date for it.
We’re still working on appearances for 2020, we’ve already been invited back to Daytona Beach Comic Con—and have accepted. Just not sure exactly which ones of us will be there. Roland will be at Three Rivers in Pittsburgh, his first show ever in the state of PA! More dates and appearances to come, be we hope to see a bunch of you at a bunch of shows!
We’ve got a big slate of books we’ll be releasing in 2020, so many that we may experiment with some Silverline crowdfund “packages.” Meaning, more than one book per crowdfund. Honestly, it’s exciting to look at this list to see all the content will be delivering to you—we know you’re gonna like them!
Mentioned last week in title only, the projects that are nearly complete and should ready to crowdfund very soon:
*Bloodline, 1 shot: by Sidney Williams (writer), Rob Sachetto (penciller), Terry Pallot (inker), Brian Dale (letterer). This one is finished except for the colors, which is being done by Keith Wood.
*Friar Rush #1, 3 issue mini: by Sidney Williams (writer), Marc Thomas (penciller), John Martin (inker), Rebecca Winslow (colorist), Brian Dale (letterer). The first issue is being both colored and lettered at the same time.
A page from DIVINITY #1
*Divinity #1, 4 issue mini: Created by Barb Kaalberg and co-written by R.A. Jones. It also features Alex Sarabia (penciller), Barb Kaalberg (inker), Steve Mattson (colorist) and Mike Belcher (letterer). It is nearly complete.
*Twilight Grimm #1, 4 issue mini: by R.A. Jones (writer) and Rob Davis (artist), Alex Gallimore (colorist), and Mike Belcher (letterer). The first issue only needs color!
*Kayless #2, 4 issue mini: by Brent Larson (writer), Luis Czerniawski (artist), Leandro Huergo (colorist), Mike Belcher (letterer). This issue needs colors and letters.
A bit later in the year, these should be ready:
A page from WHITE DEVIL #1
*Cat & Mouse #3, 4 issue mini: by Roland Mann (writer), Alex Gallimore (penciller), Barb Kaalberg (inker), Kevin Gallegly (colorist).
*White Devil II, 4 issue mini: by R.A. Jones (writer), Jaxon Renick (penciller), with inks by Mike Keeney and Chuck Bordell. The first issue only needs color!
*Trumps book 1; by Roland Mann (writer), Anthony Pereira and Thomas Hedglen (pencillers), Thomas Florimonte (inker), Sid VinBlu (colorist), Brian Dale (letterers).
Merry Christmas to one and all. As 2019 draws to a close, I thought I’d take a short peek back at the first year. Oddly, thinking about it reminds me of one of the very first “group” Silverline (phase 1) art pieces…30 years ago! Note the date on Steven’s art is 1988!
In June of 2018, I ran the kickstarter for Cat & Mouse #1 (vol 2). The creative team had such a blast doing it and we got to reminiscing about our old Malibu days and Silverline and such…well, they encouraged me to bring back Silverline—which was not my intent in doing Cat & Mouse again…I just wanted to make some comics and have some fun. Ultimately, I caved because they vowed help…
The Silverline Facebook page was launched in February. It now has 1370 people who like it and 1377 who follow it (so…I guess this means that 7 like but have unfollowed). Immediately, and much to my surprise, I started getting submissions and feelers for submissions. I told them all to wait until 2020 (all but one—more on that later) that I just wasn’t prepared for it.
The Silverline website launched on June 18. It wasn’t—and still isn’t—complete by any stretch of the imagination, but thanks to our IT support (and fantastic comic creator, too!) Jeff Whiting, we managed to put a pretty decent site together and have new content published regularly since then.
We worked with IndyPlanet to get a Silverline “store” online, and currently, these titles can be found for sale there: Cat & Mouse (v2) #1, Kayless #1, Tiny #1, Tiny #2, Tiny GN, Demon’s Tails classic GN, Switchblade classic GN, Krey classic GN, Sadomannequin one-shot, Jetstream #1. Soon to be added Cat & Mouse (v2) #2, SilverStorm (v2) classic GN, Switchblade GN.
Around that same time, we started a mailing list (email) because everyone said we should do it—so we did. Using mailchimp, we’ve got almost 400 lovely fans who have the website updates emailed to them. Eventually, we’ll do some mail list only stuff…but that’s down the road a bit…and we don’t want it to turn into “dreaded spam.”
In late June, we successfully crowdfunded Kayless #1 by Brent Larson, Luis Czerniawski, and Leandro Huergo. It was fully funded in less than 12 hours thanks to the support of many of you! (it was completely fulfilled by August, as an FYI…we need that known these days as so many crowdfunded titles are shipping late)
In September, we successfully crowdfunded Cat & Mouse #2. In doing so, we introduced upcoming superstar artist Alex Gallimore to the world! It fulfilled in late October and in November…
The Wellness Family Coloring Book, the first non-comic print publication by Silverline was also successfully crowdfunded, thanks to Silverline CEO, BJ Mann. It features art by Thomas Florimonte!
Silverline made the first official appearance at the Daytona Beach Comic Con! It was the largest gathering of Silverline at a show ever—in any phase (I think 5 was the previous record set, and that was done at Coast Con in the early 90s).
Also, at various points in time SINCE February, we dusted off a few formerly shelved projects:
We’ve sent out two additional publishing agreements: one to an indy writer I met on the con circuit, and one to a former student of mine. Once those are signed, we’ll add their projects to our growing list!
2019 was very busy for Silverline. Next week I’ll write about what 2020 has in store, including some of the projects mentioned above. Merry Christmas to you all!
Each month we’ll be shining the spotlight on a Silverline creator and sharing their secret origin story, learning what makes them tick, and giving you the scoop on how they came up in the comics world.
Up today is Sidney Williams, author 11 novels including recent releases: Disciples of the Serpent, Dark Hours and Midnight Eyes. Sidney’s early books include When Darkness Falls, Blood Hunter, Night Brothers and Azarius. At Silverline, Sidney is the writer of Bloodline and Friar Rush.
Now, without further ado, we present to you…
10 QUESTIONS WITH … SIDNEY WILLIAMS
SILVERLINE: So, who are you and where do you hail from?
SIDNEY WILLIAMS: I’m Sidney Williams. Not a lot of people know my middle name is Glover, which I suspect was a surname somewhere back down my family line.
I guess I come from a long line of Irish glove makers. I’m now, pretty much, from all over or from a lot of places any way. I was born in Alexandria, Louisiana, and spent quite a few years in and around Central Louisiana. I also spent a few years in Tyler, TX. Let’s not go there.
As of this writing, I’m Williamsburg, Virginia, following my wife’s career path and my career spiral.
SILVERLINE: What would you say it is you do here at Silverline?
I’m a writer, and I’m pretty good with most software so I could do something else.
SILVERLINE: Where might Silverline readers have seen your work previously?
SW: I’m a novelist. My newest books are Disciples of the Serpent about people battling giant things in Ireland, and Dark Hours about a girl trapped in a basement puzzle box by a twisted individual who doesn’t have her best interest at heart.
I wrote paperback horror thrillers a few years back, and in the comics world I’ve written things for Silverline before including The Mantus Files and others. I wrote a graphic novel called The Dusk Society for Campfire Comics, and I have written many short stories including a new one called “The Cooler of Craft Brew” for a collection called Quoth the Raven, a contemporary reimagining of Edgar Allan Poe’s tales. The collection made it to the preliminary ballot for the Bram Stoker Awards.
SILVERLINE: Many creators at Silverline have been in the comics industry for years — what’s kept YOU plugging away at comics? What do you enjoy most about the medium, as well as your specific trade?
SW: Comics represent some of the first reading that ever engaged me, and they played a big role in my putting pen to paper.
I don’t think my father knew what he was starting, but he used to read comics to me before I could read myself. We read a lot of Tarzan and super hero comics, and he read me things like Gold Key’s Ripley’s Believe It Or Not, which were really collections of short horror tales.
All of that stimulated my imagination, and so it’s fun to play in the sandbox where things all started for me.
SILVERLINE: What was the first comic you remember reading that made you think, “Hey, I could do this!”
SW: Probably Tarzan. The stories are fun, high adventure really and when I was, I don’t know, five, they really enthralled me with all of the lost cities and dinosaurs and the like.
I’ve said this in many interviews, but before I could actually read and write but could make letters, I’d have my mom spell things for me, and I’d write new captions for a Tarzan coloring book. It’s hard to write when you can’t, so that produced some interesting material like Tarzan perched in a tree saying: “It’s far pretty far to the village.”
SILVERLINE: Who were some of your earliest influences on your writing?
SW: I guess Joe Kubert is the first creator whose name I really knew. DC really celebrated him as the writer/artist on the Tarzan book when they picked it up from Gold Key.
I liked Russ Manning’s Tarzan as well, and in retrospect, I realize I saw a lot of his work in Gold Key earlier. I actually had a subscription to Superboy when I was a kid,and that morphed into Superboy and the Legion of Super Heroes, and from that I became a huge Legion fan, and Mike Grell became someone I recognized also.
All of this factored into my overall creativity.
SILVERLINE: What was the first comic you ever worked on professionally?
SW: It was via Silverline for Malibu Graphics. I got to create a miniseries, The Mantus Files, which I mentioned earlier.
I had written about three books by then I suppose, so it was Horror Novelist Sidney Williams’ The Mantus Files or something like that. It was a black and white and sold pretty well at the time but it was a time of growth for Malibu, so it didn’t really get them excited sadly.
SILVERLINE: Follow up Q — Can you still read that comic today without wincing?
SW: Yeah, I’m OK with it. I went through a period where I didn’t like my stuff. Confluence of reasons for that, I guess. I’m back to liking most things, or accepting that things were written by a different me, a me that I was at a given time.
SILVERLINE: If you could go back in time and give your younger self one piece of advice that would help them better navigate the comics industry, what would it be?
SW: Make more noise, I guess, though I did what I could to trumpet my work and do more.
SILVERLINE: After you die, would you rather your memory be memorialized with an overpass or a parking lot?
SW: Wow, I think an overpass. Name displayed in kind of an arched arrangement. That appeals to me. I guess it would be in danger of getting knocked down by a rampaging monster, though.
The EFGraphics publication of Cat & Mouse #1 by Roland Mann(w), Mitch Byrd(p), and Steven Butler(i).
All systems go for Silverline! 2019 is the 30 year anniversary of the publication of C&M #1 from EFGraphics, the very first published Silverline related title. We’ll tell an expanded version of the story later, but the short version is that we attempted to publish ourselves in 1988, but didn’t have the funds. John Drury and EFGraphics stepped in with a nice offer and published the first issue of Cat & Mouse #1 in color. EFG was also publishing Jazz Age Chronicles by the talented Ted Slampyak. EFG folded before C&M #2 could be printed (I still have all the color film for that issue–yes, I really do).
We took the EFG issue and submitted it all around, ultimately choosing Malibu’s Aircel as the new home. Cat & Mouse then ran for 18 issues before the series ended.
As it happens, May of 2019 is also the 20 year anniversary of the publication of John Metych III’s Sniper & Rook, from Beta3 Comics. We’ll talk more in the future about why that is important. But for now…
Kayless #1 Kickstarter is Live! Please check it out and consider supporting it.
In the 1960s, the CIA sent astronauts into space…and lost them. Until today…
Kayless: In the 1960’s, astronaut Scott Anders blasted off into orbit as part of a secret government-sponsored space program. Its purpose was to investigate a phenomenon in deep space known as the Kayless Rift. Three days later, Scott’s ship disappeared. The mission was covered up and forgotten.
Until today…and our series. Planned to be 5 issues, this is the first–and the comic is completely finished! Hopefully you’ll check it out!
While we could consider Tiny and C&M #1 (vol 2) to be Silverline crowdfunded projects, they were more unofficial, than official.
The website will be the home of the Silverline blog, which will be updated weekly. In rotating weeks, we’ll post: news, creator spotlights, appearances, title overviews. If you’ve got requests, send’em! We hope to make the creator spotlights personal and informative for you, not just a hype of the creator’s current projects. So if you’ve got a question you’d like to see a Silverline creator answer, send it in now so Wes can add it to the list. The appearances post will simply be a monthly listing of where you can find Silverline creators appearing: conventions, comic shops, podcasts(if we can get that info in time) so that you can find them and have them sign your favorite comics and maybe pick up some new ones.
The website also features bios of your favorite Silverline creators and summaries of Silverline titles. IndyPlanet is the Silverline select store for ordering, and there is a link to the Silverline store right on the website.
We’ve started an email list via mailchimp–some of you are getting and reading this via mailchimp already–thank you. We know that checking in on a blog can be difficult to remember and we encourage you to sign up for the email list. We’ll occasionally do things for those on the list before any other media–things like crowdfunding announcements so you can have first dibs at special rewards and early bird rewards.
We want to keep this list exciting and informative, so we’re not going to spill all the beans right here right now about everything Silverline has planned. Instead, we’ll tease you a bit. Hopefully you already know that Cat & Mouse volume 2 is already under way. The creative team is Roland Mann(w), Alex Gallimore(p), Barb Kaalberg(i), and Kevin Gallegly(c). Issue #1 was crowdfunded last year, and we’re well on our way to finishing #2!
In addition to Kayless, two Silverline veterans bring the next two books: Sidney Williams has penned a one shot entitled Bloodline, and R.A. Jones is teaming up with Rob Davis again to bring the four issue mini-series Twilight Grimm. More on these later, but that news is so exciting we just couldn’t keep it to ourselves!
Silverline creator appearances
While this isn’t the official “appearances” post, we wanted you to know where you could find your favorite Silverline creators the rest of June.
June 22-23; Might Con St. Louis, St. Louis, MO
Thank you for your support! Feel free to share this all around!