Tag Archives: Nick McCalip

23Jun/20

Title Spotlight: The Scary Book

Doom! Doom Upon Ye! The world is ending and . . . is that a giant lobster demon?!

     The Scary Book is a story where our heroes must unravel a shadowed mystery involving the dark powers of the occult. Unlike titles with similar subject matter, this story isn’t highlighted by abstract terror and gore, but instead by hilarity. Each issue is packed full of jokes, and references delivered in a consistently impactful tone. This four-issue series is a must-read for fans of dark comedies.

The story starts with Marty Applegate, owner of Applegate books, receiving a delivery of strange books he didn’t order. Even after getting his order fixed by swapping with the intended recipient of the strange tomes, one escapes their scrutiny and finds itself on Marty’s shelves. While Marty isn’t looking, a man named Caduceus purchases the book from the clerk. Shortly after that, pandemonium breaks out. 

As it turns out, that book was actually a book of spells penned by the devil himself, Lou C. Fer. He puts out a new batch of books on occasion so that advanced conjurers can give his demons work on Earth. Turns out Hell is even tiresome for the Demons, which is probably why they got a union organizer. The problem is that this book began making the rounds. All the major demons have been summoned out of hell and there is no one left to torture all the damned souls. Lou needs his demons back and in order to do that, he’ll need Marty to track down who bought the book and stop it from circulating.

In issue 2, we meet Marty’s cadre of book hunters as they travel through a world being torn apart as mass conjurings and spells are unleashed by even the most inept of magical practitioners. The first is Crimson, a cursed soul sent by Lou C. Fer to make Marty aware of his quest and assist him in completing it. Crimson sold her soul for beauty and has been stuck in hell to suffer the punishment for vanity ever since. The chance to work back on Earth finally gives her the opportunity to fully use the boon she received in her pact. The two of them enlist the help of Phillip Chandler, a private eye whose career earned him several films made about him starring himself. Phil proves to be an interesting addition to the team as he is mentally stuck in his role. He speaks as if he is providing narration and dialogue in a voice-over session. The trio follows the first clue to a cult performing a conjuration. 

That encounter sets them on the right trail. They trace the book back through all the hands that have held it since it was initially purchased. On the way, they encounter a whole slew of fascinating characters, unsavory beasts, and what street prophets believe to be the end of the world. Eventually, they get their confrontation with the book’s holder and things only get stranger from there. 

What really sets The Scary Book apart from other mysteries is the tone and voice in which the story is delivered. Even when compared to other comedies nothing really comes across as wholly unique but expected as The Scary Book. It sits in the intersection of three genres, comedy, mystery, horror, and behaves the way you’d expect a story in any one of those genres to behave but because it does all three so flawlessly, it is entirely its own story. It is somehow both paying homage to great assets each of these genres can employ at the same time as being irreverent to all the tropes that can make those same genres cheesy and silly. 

Writer Sidney Williams’s voice really comes across through the three main characters he employs. Marty delivers a classic dry wit that serves to give the perspective of the average person caught up in world ending nonsense. Pair that with Crimson who has experience with both mundane and the demonic and is just tired with it all. The color commentary and banter provided by these two immediately sells the reader on the intended atmosphere and gets them invested in the characters as people. Then there is Phillip Chandler who is a world unto himself. Not only does he only talk through first-person narration as if he were the voice-over of a hard-boiled detective movie, but he brings the same style of Hollywood flair to solving the team’s problems. While this is “the real world” for Marty and Crimson, this is just another shot for Phillip, so of course he attempts to handle every situation as over-the-top and high-octane as possible. 

With characters as loveable and strange as these, it’s no wonder that this universe is being expanded in the near future. Writer Sidney Williams has written a spinoff called Something Big! This story will follow Phillip Chandler and a new host of characters as they tackle a brand new case brought to Phil’s desk. This will, of course, be brought to you by Silverline Comics.

The Scary Book was written by accomplished novelist Sidney Williams, whose recent releases include Dark Hours and Disciples of the Serpent. Sidney has also written comics such as The Mantus Files, Marauder, and Sirens.

The The Scary Book was pencilled by Steve Willhite. Steve has also done work for titles like FUBAR and Jesus Hates Zombies. Steve also inked issue 4 of The Scary Book.

Issues 1 through 3 of The Scary Book were inked by Dan Schaefer who Silverline adepts would recognize from The Mantus Files and Cat & Mouse. Dan has also inked for The Green Hornet, New 52, and Predator.

Nick McCalip lettered issue 1 and pages 1 through 9 of issue 2. Nick has also lettered for The Mantus Files, Cat & Mouse, and Krey.

Debbie Woods lettered pages 10 through 24 of issue 2

Brad Thomte letters issue 3. Brad also lettered Switchblade, Marauder, Silverstrom, Pantheon, and Mouseguard: Tales of The Guard

Mike Belcher lettered issue 4. Mike is perhaps most well known for creating his own title Man in The Mask for AMK Comics.

28Jan/20

Silverline Title Spotlight: Krey,1-5

Oil your sword, and throw on your leather armor for a saga of fast-paced action, forbidden romance, and brutal betrayal set in a world where barbarians rage in an epic struggle with their mutant neighbors across desert steppes. Krey is the tale of a human raised by mutants who pursued battle, glory, and family.

Krey is a unique tale on the Silverline roster. This fantastical tale tells the story of a man born of humans, raised by mutants, called to battle, and longing for a familial relationship that has repeatedly been denied to him. Krey navigates social dynamics in a world divided through the eyes of a twice-orphaned foot-soldier who is driven to greatness. The reader follows Krey as he discovers his place in the world, and finds that his ability to change the world doesn’t just come from his prowess with the blade but also the depth of his convictions.

The legend of Krey begins when he is a babe in the realm of humans. Krey’s village is raided by mutants, the beings who inhabit this world alongside humanity. Years of hate on both sides have bent both factions against each other. While some try to live together, the powerful often find it easy to use the “others” as scapegoats for their wars. The mutant who stumbles across Krey as a babe proves to be compassionate and takes the boy as his own, along with the Krey’s family sword.

Krey yearned to be a warrior from a young age, growing up in the mutant village. He would sneak out to train with his father’s sword. When Krey came of age, he joined the combat games. In these games, the mutant tribesman showed what kind of warrior they were. While he fell short as a marksman, Krey excelled as a swordsman. The games are cut short when the village is attacked by a band of human raiders. Krey watches as all his friends are cut down. Krey rushes to check on his adoptive father, who has been struck down in the attack. His last command to Krey is to run, take up his father’s sword, and never forget what he saw that day. In the surrounding melee, Krey kills his first man before escaping.

The second issue takes us to Tae Steppe in the Realm of the High Priestess. The city has allowed for humans and mutants to live in a stable if uneasy coexistence. Years have passed since Krey fled the annihilation of his human village and Tae Steppe is now celebrating the Time of Rebirth. The festival is divided into three events. Each event is a different test of martial skill. The victor of each will earn an honored posting in the High Priestess’s army. Krey has joined the festival with two other warriors of note, Etedh, and Calican. All of them hoping to use the festival as a way to accelerate their military career so that they might one day join the High Priestess’s elite force, The Red Guard.

He loses the archery competition to Etedh and the melee to Celican, but he quickly earns the adoration of the crowd. The human’s love his charisma and dominating presence. The mutants are proud of him as he was raised as a mutant. This earns him the spite of Etedh, who is revealed to have a strong prejudice against his mutant neighbors. During both of the previous events, a beautiful mutant woman catches the eye of Krey. Not only is he distracted but he is immediately driven to find out what her name is. The night before the final event, Krey accepts the hospitality of a mutant family. He shares their dinner table and sleeps in one of their guest rooms. The father of the family is also able to share the name of the woman Krey spotted, Netanya. Krey defeats Etedh in the last event, the test of swordsmanship, the Steel against Steel. As champions, Etedh, Celican, and Krey are all offered the opportunity to train to join the High Priestess’s army. Krey then offers the prize wreath he earned to Netanya.

Krey and Netanya unite in what becomes a controversial marriage. Krey’s story unfolds as he struggles with balancing his goals as a warrior and having a family after his birth and adoptive families were taking from him. He must also contend with the biases that dominate the world around him when he, himself, does not understand them. The story of this berserker and his family continues throughout the saga in a story of betrayal, rebellion, and revenge.

Krey isn’t just another fantasy sage. It weaves a tale of complex social politics and dynamics through the lens of a man who was molded by two different peoples that have spent their existence trying to put an end to the other.

Krey is a man of strong conviction in a world that challenges his beliefs at every level. Krey holds only love for mutants despite being told that, as a human, he should despise them. Instead, he lives among the mutants as one of them in hopes that they might share the world with humans. He is a skilled warrior who has spent his life seeking battle, yet takes no joy in the act of killing. This conflict gets highlighted in his relationship with the xenophobic Etedh. As these worldly matters tug at the fabric of Krey’s character, Krey finds himself struggling with the balance of family and duty. All he has known of a family is loss, so to Krey, a family is the most precious thing in life. He views his duty as a warrior also as a deep-seated part of his character. The Realm of The High Priestess espouses the idea of cohabitation between mutants and humans. To Krey, that is an ideal he will fight and die for. More than once, these dreams have come into conflict with each other. Sometimes with mortal consequences.

The conflict in Krey’s personality is smartly done and drives the story in ways other fantasy series have fallen short of. Though the action, big swords, and rippling muscles are a large aesthetic plus, the emotional conflict in Krey and the social conflicts of the world are what pulls the reader into the series.

Written by Roland Mann who, besides being my boss, is an accomplished writer and educator. He currently serves and the Editor-In-Chief and Publisher here at Silverline. Roland has also had postings at Malibu/Marvel Comics. Other titles Roland has written include Tiny, Rocket Ranger, Miss Fury, Planet of the Apes, Battletech, and Demon’s Tails.

Krey was originally published by Gauntlet Comics as issues 1-3, and Krey Special Edition.

Art for chapters 1,2, and 3 was done by Steven Butler. Steven is well known for his work on Archie Comics and Sonic the Hedgehog.

Criss Cross also provided art for chapter 3. He is known for working on titles such as Captain Marvel, Firestorm, and Blood Syndicate.

MC Wyman drew the art for Chapter 4. He is known for working on titles such as The Mighty Thor, Daredevil, Silver Surfer, and many others.

Chapter 5 was penciled by Jack Keefer. Jack also inked chapters 2,3,4 and 5. He has also worked on Marvel’s Northstar.

Chapter 1 was inked by Ken Branch who has worked for just about every major publisher including DC, Marvel, Valiant, Image, and Malibu.

Floyd Robinson also contributed ink to chapter 3. He has also worked on titles such as Thor and Batman.

Nick McCalip provided letters for chapters 1 and 3. Nick’s work can be seen in works such as Silverline’s Cat and Mouse and Malibu’s SilverStorm.

Chapter 2 received lettering from Dan Nakrosis. Who has worked on titles such as Archie, Sonic the Hedgehog, Berserk, and the X-Men Manga.
Rik Mayo also contributed letters to Chapter 3. Rik’s work can also be seen in The Mantus Files.

Debbie Woods lettered Chapter 4.