23Feb/21

Silverline Community Highlight

Hey Silverline Family. It’s a new year, and a new us, so we figured we’d give this concept a test drive. The one thing that allows us to be comic creators and comic pros, is you, the comic reader! What is special about where Silverline is now is that a lot of our readers are creators in their own right. This has allowed us to create a unique and truly amazing community. 

Whether you just enjoy our new releases, interact with our social media, follow our blog for tips on how to better make your own comics, or catch our live-casts, we appreciate you. We figured we could show some of how much we appreciate you guys by highlighting some members of our community who shared their comments with us. 

If you want the chance to have your comment highlighted, just post it! Whether on our blog, our Facebook, Youtube, Twitch, one of us will see it. If it stands out for whatever reason, you have a chance of being featured. 

All the featured comments today were taken off the live-casts on Facebook. They’ll probably be more varied in the future but we figured this was a good place to start. So here’s what you said:

Rob Davis: “>turning down my hearing aid<” 

Wednesday WHAM! producer Tim T.K. has a unique and loud method for introducing the show. Utilizing years of musical theatre, and punk band experience, Tim delivers a sonic experience that is sure to take a few hours off your lifespan. (I’m sorry . . . okay, I’m not sorry.)

Quinton J. Bedwell: “Yes… It’s time for a new system. CRT screens are outdated Roland”

Recently, the Silverline family got together on Silver Sunday as they surprised EIC Roland Mann with the means to get a new computer after his old system went out to pasture. This comment is great because it commemorates this awesome gesture and also points out that our EIC is, in fact, not the youngest member of the team. (Don’t fire me)

Ovin Armando Reyes: “I really loved infamous 2 it was my first platinum trophy”

Ovin is a Silverliner since the before-times! It was great to have him in the conversation on the week we were discussing video games. Achievement hunting is not something every gamer does. It requires commitment, and to platinum a game, you have to hunt every single achievement in a game. The first time you platinum or 100% a game, it’s a special feeling that you want to celebrate. It’s also great to hear how a piece of media brought Ovin so much joy because that is ultimately what we want our comics to do for someone. 

Kasisi D. Harris: “Ergokinesis”

This comment got picked for a weird and personal reason. When the Wednesday WHAM! crew was discussing the best superpowers, Kasisi brought up Ergokinesis. Which is a great power, the ability to manipulate raw energy. Elemental, cosmic, electrical, what have you. Energy manipulation is a classic. However, I (Tim T.K.), had a brief moment where I thought it was related to Ergonomics. You know, like office chairs. I had nearly fallen out of my seat with laughter, as I imagined a hero whose power allowed them to make any surface good for their joint and back health. 

Patrick Lugo: “In the 80’s John Byrne claimed Superman’s powers were all subconscious telekinesis.”

This one just blew my mind. Thinking of Supe’s powers as subconscious telekinesis makes so much sense and yet I can’t wrap my head around it. Superman has such a wide array of powers, but telekinesis could explain them all and yet it almost feels too simple. Although I suppose, he has superstrength, eyebeams, and flight because of the sun is also a bit too clean when you think about it. The question is, is that preferable over muddying the waters with fifty-thousand types of kryptonite.

I hope you guys liked having the spotlight on you for a second. Let us know, should we keep doing these, try something else, stick to the classics? Who knows your comment might just be featured next time.  

16Feb/21

Title Spotlight: Switchblade

The core mantra of boxers is fists up, chin down, and knives out. Well, at least it is for Scott Nathans, boxer by day, and vigilante by night. Scott is the man known as Switchblade, a defender of the defenseless in New Orleans and the eponymous character of the Switchblade comic.

With the recent launch of Switchblade Remix, this is a great time to add it to your wish list.



Switchblade is a classic vigilante origin story but with a splash of sports drama that ties into the core plot. Just because Scott Nathans has picked up the hobby of giving villains a gruesome end doesn’t mean he’s given up his life as a boxer, or the rivalries that come with it.

We’re first introduced to Scott Nathans in an action-packed opening as he hunts down two child predators that the jury let off. That’s also when we first see Scott use his infamous switchblade. The weapon that earned him his name.

Of course, vigilante justice is a crime itself. Enter detectives Rob and Sid. The two were tasked with finding Switchblade and bringing him to heel. The citizens of New Orleans, however, are grateful for the speedy removal of the scum terrorizing their city. The detectives are without any leads and there never seem to be any witnesses. Their job gets more confounded once dismembered bodies start popping up. These aren’t clean kills with a blade, and they don’t have criminal records. The m.o. doesn’t match Switchblade and that last thing the police want is two killers out in the city.



Scott’s life as a boxer also gets more interesting when a mysterious and skilled boxer starts training at the same gym as him. The gym’s owner, Simon, is essentially Scott’s adoptive father so he’s unlikely to pass the limelight onto this new fighter. After a few sparring matches, this new fighter, Don, gives the impression that he may be the strongest fighter there. After he brutalizes a few of the other boxers and shares some smack talk with Scott, a rivalry begins to form. One that transcends just the ring.

It’s not long after Scott’s first kills that detectives Rob and Sid receive a report of a missing fourteen-year-old boy. At the same, the butchered bodies send ripples through the ranks at Simon’s gym causing a stir among the longtime members and Don, the new arrival. As these events unfold, Scott, Don, and the detectives all set on a collision course with each other, that is sure to end with someone dead.

What stands out in Switchblade is that drama unfolds both in the world of masked crusaders at the same as in the ring and the way it ties together. As Switchblade, Scott tries to uncover the recent killings and child abductions. As himself, Scott develops enters into a rivalry with Don to prove he can’t come in and pick on the other boxers. When the predator’s identity is revealed both stories intertwine in a way that leads to a unique fusion of sports-drama and comic hero action.



Another element that gets explored rather well throughout is the moral dilemma faced by the detectives. They know that a person cannot take the law into their own hands and kill criminals who get off easy, but also that the system allows for those criminals to get off even after their wrongdoing is universally acknowledged. Rob and Sid are forced to confront their own beliefs on if the system of Switchblade is doing more good for the city.

If you like vigilantes heroes, boxing, and seeing the two be put together in a way that makes both integral to the story this is the book for you. Switchblade is a classic brawling hero but exploring the heart and skill required to be a good fighter.

Switchblade was written by Roland Mann who needs no qualifiers. Known for Cat & Mouse, Demon’s Tails, Trumps, Krey, a laundry list of more titles, running Silverline, and inspiring students.

Leonard Kirk penciled Switchblade (1-2). Leonard is known for such titles as Planet of the Apes, Galaxina, Dinosaurs for Hire, and Star Trek: Deep Space Nine.

Chuck Bordell also provided art for Switchblade (1-3). Chuck’s work can also be seen in Sirens, Marauder, and Silverstorm.

David Rowe provided inks.

Brad Thomte lettered the series. He is also known for lettering Scarybook, Marauder, and Silverstorm.




09Feb/21

Craft: Aaron Humphres – Sketchy Technique

In my comic book Godlings, I have developed a different way to illustrate my pages from other comics. This is not so much in the style of art per se, but the technique I do to develop the final look of the page. I wanted the pages in my comic book to look old like they are from an ancient tome. I also wanted the look of the book to be somewhat sketchy like someone was drawing the story as you were reading. I got the idea from watching the old 101 Dalmatians animated movie. In the movie the outlines of the characters were sketchy, and they would purposefully leave in underdrawings in certain scenes. I thought that style would work for my comic. I decided to have the final art in my comic book be in pencil only, with no ink applied.

In order to do this, I went about developing a certain method of production for my comic pages. Over the years I have been drawing my pages on card stock and not Bristol board. For one thing, my book was going to be 300 pages when finished and I wanted to have enough paper on hand. I bought a ream of 11” x 17” cardstock from Kinkos. It cost me 17 dollars and should cover all the pages in my book. Card stock also has a different texture than Bristol and my pencil lines tend to be initially darker. I use a cardboard backing from an old drawing tablet to draw the pages on. The cardboard is soft enough that when I draw on top of it, it helps the pencil lines sink into the paper better. I start my pages as loose sketches and darken the lines I want to keep with a mechanical pencil.

Now that I have my pages all drawn in, I photocopy them at my local copy place. The first reason is that I need to shrink the 11” x 17” page down to 8” x 11” to fit my scanner bed. The second reason is that the machine will take my pencil lines and reproduce them in black. I also adjust the dark levels in the copy parameters by two notches towards dark. This darkens the lines in the photocopy just enough to where I like them.

I then scan the photocopies into Photoshop and adjust the levels. I usually darken the scan to the midway point in the levels panel. This gives me a nice dark line in the drawing and keeps some of the light underdrawings as well. This creates the sketchy look I want while making the art clear to the readers. From there I color my pages.

02Feb/21

Silverline Title Spotlight: SilverStorm (vol 1)

There Is No Shelter From This Storm!

A SilverStorm (Volume 1) Retrospective by John Metych, III

A wealthy playboy philanthropist whose father engineered some of the most futuristic technologies of the day now dons a suit of armour to protect both innocents and those he cares about.  Who immediately comes to mind when you read that description?  Yup, me too.  Christopher Kastle, AKA Silver Dollar!

A beautiful woman who overcame extreme poverty and traumatic childhood experiences was blessed, at birth, with the gift of wind manipulation.  Thus far, she has attempted to keep her abilities hidden from the world but eventually must utilize her powers to escape captivity and, later, in public in order to preserve the lives and safety of others.  I know you’re picturing the same model-turned-adventurer / heroine as I am . . . the supermodel who professionally goes by one name . . .Natashia , AKA Tempest!!

And who doesn’t immediately picture the one – the only – cloaked villain, operating behind the scenes while he sends out his agents to do his dirty-work bidding, infatuated with the concept of developing, perfecting, and utilizing a legion of clones to attack the very foundation of assembled government, made up of constituents representing their individual interests and homelands?  You know it! Of course! It is none other than Doctor Fear!!!

Originally published in the Spring of 1990, Silver Dollar, Tempest, and their newly minted arch-nemesis, Dr. Fear, were the main characters in the Silverline packaged, Aircel Comics published, SilverStorm four issue miniseries . . . and what a miniseries it was!!  Further expanding from Cat & Mouse, their buddy, Demon, and the still enigmatic “Chicago Champion”, SilverStorm was the next title, entry, and step in establishing and expanding the interconnected “Silver” universe of characters and stories.

SilverStorm (volume 1) lead off with a strong, character driven autobiography presented by none other than Christopher Kastle himself.  Speaking to his closest confidant, his Uncle Miya, he chronicles his affluent upbringing, though light on responsibilities, his internalized worries regarding how his father viewed him as he grew from youth, to a college student, to an adult and lamented how his life has become empty, unfocused, since his father’s passing and his lingering inability to follow family tradition by swearing an oath to upload the traditions and values of his family, upon a Silver Dollar that has been passed down through family generations.

Kastle’s narration continues through mourning his father, assuming leadership of the Kastle Foundation – a research organization previously lead by his father, through introduction to a specialized suit of armour created by the foundation.  Kastle becomes enamoured with the suit and dedicates himself to the utilization and mastery of this incredible piece of technology!  He also describes the mental and emotional journey he has undertaken in trying to understand his father’s death, when things don’t seem to quite add up but, at the same time, all the powers-that-be insist that there was nothing out of sorts, out of the ordinary, nor nefarious in terms of his father’s passing.

A serendipitous mutual attendance at the Symposium of Earth and Natural Sciences (hosted by the Kastle Foundation) brings Christopher and Natashia into the same venue and Kastle, who had been attendance at one of Natashia’s (Nat for short) model shows several years prior, makes a point to introduce himself to her.  Nat’s external beauty is only surpassed by her intelligence – as illustrated by her deep interest in, and ongoing study of, geology.  (She was way before her time in terms of STEM!)

Invited to accompany her on a modeling gig on a nearby island, Kastle joins Natashia and becomes even more twitterpated with her in all respects.  As the two canoodle during their walk back to their respective accommodations for the evening, they are savagely attacked by a duo going by the names Hunter and Axe.  Kastle is beaten unconscious, which allows Natashia to unleash her mastery of the winds without him bearing witness.  As she attempts to blind Hunter with a face full of blown sand, Hunter responds, in kind, with warning shots bullets and takes her, as well as Kastle, prisoner.

Hunter and Axe deliver the newly romantically linked couple to their employer – Doctor Fear.  Kastle recalls meeting him, long ago while on a business trip with his father, and remembers that Dr. Wilderman (now, FEAR) was once an impressive biochemist on a global scale, nothing close to the scarred, mutated, blistered and disfigured man that stood before them now.  Kastle persuades Fear to reveal what had happened to him . . . a story which consisted of scientific discovery, partner treachery, attempted murder, arson, and a near-death experience culminating in being submerged in an experimental formula designed to grant super-human strength and power.  Though Fear survived, and became physically stronger than ever, he would never recover from the physical or mental scars nor his ever-increasing passion for revenge including against the very world itself!  Information vital to Fear’s forthcoming plans has been in the possession of a man associated with both Kastle and Natashia – from different social and professional spheres – yet intertwining the destinies of all involved!!!

Kastle confides the legacy of his familial Silver Dollar and Oath to Natashia and she not only matches his level of trust and faith during a daring escape from Fear, his henchmen, and their compound.  They encounter several armed guards as they evacuate, noting that each of these guards had identical appearances save different tattooed numbers on their foreheads.

This observation foreshadowed Dr. Fear’s endgame . . . he has expanded his biochemistry interests into cloning, creating and growing a clone army that he utilized to launch an assault on the United Nations building, in New York City, and upon completion of his clones seizing and securing the building, as well as the UN Representatives now held hostage within, Dr. Fear declares his takeover of the world itself!

Nat and Kastle descend upon the battle scene; flanked by reporters and live television coverage, the duo is swarmed and questions fly . . . including if the individual in the suit was the Chicago Champion (it isn’t) and what they call themselves.  Christopher invokes the name of his family tradition and bestowed upon himself the code name SILVER DOLLAR and dubs Nat TEMPEST in honour of her wind-controlling talents.

Collaborating with the government-sanctioned armed forces, Silver Dollar and Tempest battle countless identical, mute, and loyal combatants ‘til death.  Our heroic duo infiltrated the occupied United Nations building, decimating clone troopers along the way, battling (and evoking revenge) Fear’s henchmen Hunter and Axe, leading to a final face-to-face showdown between Silver Dollar and Dr. Fear and with a HUGE detonation and the apparent death of Dr. Fear.  But, in comics, is anyone ever really dead?  This very author may have something to say about that fact in the not-so-distant future, in fact . . . as well as the long-ago planned (and abandoned – nay, “long-hiatused”) Silverline Universe team book . . . also in the works by yours truly!

The cadre of talent that brought these characters, issues, and Silverline’s first mini-series to life was comprised of this most excellent lineup of creative talent:

Roland Mann – the Mann with the Plan! Cat and Mouse writer and Silverline Editorial Director, Roland provided scripting duties on the latter part of the SilverStorm series and served as series editor.  In time, he would become writer, editor and eventually Managing Editor at Malibu Comics.  Roland has been the driving force of Silverline as a publisher, including the current relaunch of the brand and the ringleader of the impressive collective of Silverline talent!

Thomas Fortenberry – SilverStorm’s plotter, writer, and scripter. His Amazon biography notes that he is also an American author, editor, reviewer, and publisher. A Pushcart Prize-nominated writer and history teacher, he has also judged many literary contests, including The Georgia Author of the Year Awards and The Robert Penn Warren Prize for Fiction. Thomas was the second writer, after Roland Mann, to work on a Silverline title when wrote this very four-issue SilverStorm miniseries!

Steven Butler – Steven, who had already provided stellar inks on the Cat & Mouse series and both pencilled and inked several of the series most dynamic covers, all while serving as Silverline Art Director, contributed his first sequential pencils for Silverline’s on this very title, “SilverStorm”!  Having already cut his teeth on sequential work on First Comics’ “Badger”, Mr. Butler’s artwork on SilverStorm can only be described as “detailed, beautiful, kinetic, and perfect!”  He also provided colours for the series covers and created all the additional promotional art to support the title! Steven’s future projects would include illustrating titles for Malibu, Marvel, and Archie, to name a few. He held notable runs on Marvel’s “Silver Sable” and “Web of Spider-Man” and will forever be favorably remembered for his illustrations of Ben Reilly, the Scarlet Spider!  Steven recently collaborated with his Silverline friends and colleagues for a special guest artist variant cover for the recently released TRUMPS. He has also recently fulfilled his first Kickstarter campaign for issue #1 of Fianna McCool and the House of Ulster under the Duo Comics imprint in conjunction with his incredibly talented daughter, Lily Butler.  Oh, and Steven is one of the top, all time favourite artists of this author . . . if you couldn’t already tell who I am honored to have come to know thanks to the wonders of the internet!

Roland Paris – the first of two inkers on this SilverStorm miniseries, Roland also providing his inking talents on it’s sister title, Cat & Mouse. Roland later went on to ink many titles at Marvel Comics.

Ken Branch – the second inker over Steven Butler’s pencils on SilverStorm, Ken also provided inks on multiple issues of Cat and Mouse. Ken later went on to ink titles at Marvel Comics, DC Comics, Image Comics, Malibu Comics, Valiant Comics, First Comics, and Comico Comics.

Nick McCalip – Nick served as SilverStorm series letter. Nick has also lettered several other Silverline titles including The Mantus Files, Cat & Mouse, The Scary Book, , and Krey.

26Jan/21

Craft: John Martin – Inking Lines

Hello everyone, I’m John Martin and I’m the inker on Friar Rush and Wolf Hunter for Silverline comics. Now, in my opinion, it’s easier to show than tell you about inking but I’ll give it my best. When it comes to inking the most important thing to keep in mind is the line. It’s the one thing that can make or break a page or cover. As an inker, it is the one aspect of the page that you have to bend and manipulate to make the pencils shine even more and become the finished product ready for color and print.

Now, having a healthy variation on line width is what you use to imply several things like depth, weight, light, and shadow. Heavy lines are used close and in the foreground, then they become lighter the further you go into the background. Outlines of characters, objects, buildings, etc. should always by a heavier line than the lines used inside them. For example, if you outline a person the lines should become thinner on the interior of it for all the normal details (eyes, nose, mouth, etc), then even thinner for the rendering of shadows.

If you weren’t using blacks for shadows you would then not only use the weight of the line for indicating distance but also where the shadows would be. The heavier line will be where the shadow is on the figure or object and of course, the lighter would be the indication of the light source.

Now, when you are using line weight for both depth and to help indicate a light source it can get a little tricky so you as the inker have to make the best decision based on what the focal point is in the panel/cover. These decisions are why no two inkers ink the same page the same way. A perfect example of happens during the Inkwell Awards, when they pick inkers to ink a piece to put up for auction.

In closing, lines are the biggest thing needed to bring a page/cover to its full potential and the most important thing for an inker to keep in mind and practice daily. So, get out there and start making a mess and laying some ink lines down. I know I am.


19Jan/21

Silverline Creator Spotlight: John Crowther

Each month we’ll be shining the spotlight on a Silverline creator and sharing their secret origin story, learning what makes them tick, and giving you the scoop on how they came up in the comics world.  

Up this time is John Crowther, lawyer and writer of lots of wrestling comics, Rochelle the Teen Cockroach, and the upcoming Teen Beetle for Silverline, which is currently on Kickstarter for issue #1!

Now, without further ado, we present to you…

12 Questions with John Crowther

SILVERLINE: So, who are you and where do you hail from? 

My name is John Crowther. and I am a dad, husband, son, brother, writer, and reluctant lawyer with somewhat redneck tendencies.  I was born just a few blocks from the World’s Most Famous Beach in Daytona Beach, Florida and, after making the usual college and post-college tours, I now make my home in the artsy Central Florida college town of DeLand.

SILVERLINE: What would you say it is you do here at Silverline?

My primary role with Silverline is writer and creative spinster.

SILVERLINE: Where might Silverline readers have seen your work previously?

You can find a few of my earlier series (Rochelle, Horror Comics, Exciting Comics and Turnbuckle Titans, to name a few) with Antarctic Press, as well a collection of biographical professional wrestling comics with Squared Circle Comics. In addition, I have appeared in several anthologies and graphic magazines, most notably for Heavy Metal Magazine, Unlikely Heroes Studios, Oneshi Press and Tin Sky Media.

SILVERLINE: When you’re not making great Silverline comics, what do you do in your spare time? What are your hobbies?

It’s not what I would consider a hobby, but when I’m not plugging away on a Silverline comic, you’ll most likely find me typing away on the desktop at my law office, where I have been practicing law for nearly 29 years. Away time from the offices will generally find me in my garden, at the beach, or browsing antique malls on one-tank road trips with my better half — my amazing wife, Gigi.

SILVERLINE: Many creators at Silverline have been in the comics industry for years — what’s kept YOU plugging away at comics?

Writing comics has become a passion for me over my relatively short 6-7 year comic writing career, so everything about it still rings fresh to me. I love seeing my words brought to life by the incredible artists I’ve had the honor of working with. I love to see the enjoyment in a fan’s eyes or  hear their excitement when they’ve read something that I have created. And I love the comradery that I find in the comic book industry among other creators. It’s the combination of all of these things that drives me to continue with that passion.

SILVERLINE: What was the first comic you remember reading that made you think, “Hey, I could do this!”

For me, it wasn’t a particular comic that convinced me that I could “do this.” I have been a comic book reader for almost as far back as I can remember. I still recall passing the old Rexall drug store near my bus stop after school each day, where I would hit the spinner rack for a handful of $.75 comics — everything from Sgt. Rock to X-Factor, to Conan, to Swamp Thing. I was a huge fan of Mad Magazine and Cracked back then too. If it had a cool cover, I’d grab it. But I never really imagined that I would be a part of the industry in the future — my career was set as soon as I was born —  was groomed to be a lawyer. When I hit my 40s, looking for an outlet from the daily office grind, I stumbled across a Facebook group called ICC (Independent Creators Connection.) It was a diverse collection of comic book fans and industry hopefuls, who were really supportive of each other regardless of their skill or knowledge level. I thought, “What the heck,” and went for it — sharing my concepts and scribblings — and was received with open arms by folks I’d never met before. It was that positive encouragement that set me on my way and gave me the gumption to try my hand at comics on a more professional level.

SILVERLINE: What’s on your playlist? Who/what music do you listen to, and do you listen to it while you work?

Oh, gosh. I’m about as eclectic as it gets when it comes to music, although my usual fallbacks are country (Clint Black, Waylon Jennings, Charlie Daniels, Hank Williams, Jr., Johnny Cash, Chris Stapleton) and classic rock (AC DC, Black Sabbath, Led Zeppelin.) But I’m not discriminatory when it comes to music, as you can see by my concert list: Milli Vanilli, Smashing Pumpkins, Earth, Wind & Fire, Neil Diamond, Kansas, B52’s, Jefferson Airplane, Yellow Man, and Boy George to name a few. And no — it comes off when I write, as it would be too distracting. I talk through the stories in my head and out loud when I write (if you passed my desk you’d think I was insane). 

SILVERLINE: Who were some of your earliest influences on your art ?

Growing up as a kid, I read comics and books equally. My favorite genres being fantasy, horror, and sword and sorcery. Some of the authors who I drew influence from include Stephen King, Dean Koontz, and Terry Brooks. In comics, I was drawn to the writing of Marv Wolfman and Robert Kanigher, and to the art of Bernie Wrightson, George Perez and Joe Kubert.

SILVERLINE: What was the first comic you ever worked on professionally?

Rochelle: The Teen Cockroach was the first comic I ever worked on professionally, when it  appeared as an add-on story for Femforce #170 from AC Comics, before having a successful run with Antarctic Press as simply, Rochelle. Oddly enough, the title character can trace her origin back to a sketch I did as part of an art challenge in the ICC Facebook group. It was the positive reception I received from that post that encouraged me to bring Rochelle to life.

SILVERLINE: Can you still read that comic today without wincing?

Absolutely — I still enjoy reading  it and feel that it was a fairly good effort for a first comic. It’s also garnered a bit of a cult following and has very recently stirred some interest in  genres outside of comics, so hopefully you’ll be hearing exciting news on the Rochelle front in the months ahead.

SILVERLINE: What are some non-Silverline independent comics you would recommend to readers?

There are definitely some good independent titles out there. I would highly recommend a couple from Inverse Press: Vicious Circus, and Last Ride of the 4 Horsemen. Those folks specialize in horror and these books will not disappoint. For younger readers, I would recommend a new title from writer Rob Andersin and Scoot (Scout Comics imprint) called Cat Dad & Super Mom. I had the privilege of previewing the book and it’ll knock your socks off.  I’m generally reluctant to recommend anything I’ve been a part of, but I would be remiss if I didn’t recommend Cthulu Invades Oz, from Travis Gibb and Orange Cone Productions. It’s a really well done anthology from a collection of top-level creators that combines the worlds of L. Frank Baum and H.P. Lovecraft.

SILVERLINE: If you could go back in time and give your younger self one piece of advice that would help them better navigate the comics industry, what would it be?

Start younger and don’t hesitate. There’s nothing that will hold you back more than yourself. I honestly wish that I hadn’t surrendered to my own self-doubt when I was younger. 

SILVERLINE: After you die, would you rather your memory be memorialized with an overpass or a parking lot?

Strangely enough, this is a tough question. My initial thought was a parking lot, because I would love to leave a space where others could stop, suspend reality for a moment, and absorb themselves in the stories I left behind. But that wouldn’t be me. I don’t want be remembered for sitting still, so I would have go with the overpass, launching above that parking lot. I would want others to remember me for always moving forward — seeking, reaching and surpassing my goals and never stopping to rest on my laurels.

Teen Beetle is currently kickstarting and the first issue is available there now: https://www.kickstarter.com/projects/rolandmann/teenbeetle1switchblade1

12Jan/21

Creator Diary: Switchblade #1 and Teen Beetle #1

Hey Silverline Family!

If you’ve been following any of our socials for the past week, you’d know we announced two new books going up on Kickstarter soon! Switchblade #1 and Teen Beetle #1 will both be available for preorder starting January 14th. Remember when our books go to Kickstarter, they’re already done. You’re just preordering your copy, and telling us directly that you want to see more of it before it goes to the digital storefront.

Follow this link to be notified as soon as they go live!
https://www.kickstarter.com/projects/rolandmann/teenbeetle1switchblade1

As the resident Blog-Dude, I thought it might be kind of cool to talk to some of the creators involved with the upcoming releases. Unfortunately, due to some at-home circumstances, I couldn’t reach out to everyone involved. With future iterations of this Creator’s Diary, I would like to give as many creators as possible a chance to talk directly to the readers.


I did manage to grab snippets from the writers of each project and the colorist of Switchblade.

First Up (Because he is my boss), Roland Mann, Writer on Switchblade:

“I’m a huge fan of black and white art, but I know a lot of fans prefer color. I’ll admit, seeing Switchblade in color really helps bring the characters to life. The RemiX has a crisp cleanness that the original version didn’t have. It’s exciting.”

Aiden Belcher, Colorist on Switchblade:

“Switchblade is the book that you should pick up if you love comics. I could tell that the very first time I saw it. Every page is filled with realistic, gritty, street-level vigilante action that I thankfully had the pleasure of coloring. I appreciate the chance that Roland Mann gave me in working on this project. Everyone should be on the lookout for this one, it’s a good showcase of what comics does best.”

KS exclusive cover by Ben Dunn


And for Teen Beetle, Writer John Crowther:

“John on Teen Beetle: What I enjoyed the most about working on Teen Beetle, was being able to reunite with artist Dell Barras. Dell was one of my favorite artists as a child, from his work on Blue Beetle and Death’s Head, and he was the artist on my first two comic series for Antarctic Press — Rochelle and Turnbuckle Titans: Nikolai Volkoff. I believe that Dell fully captures the stories I am trying to tell in his art and I feel readers will truly enjoy our chemistry in the Teen Beetle series.”

We hope you’re as excited for these books as we are! Remember January 21st, of 2021, we’re kicking the year off with some kick-butt comics!


06Jan/21

Silverline: Looking Ahead to Year 3

2021!

We finally made it out of 2020!

Whew! Many of you thought we’d never make it, yet—here we are! And Silverline is ready to tackle it…nay, we’re psyched that’s it’s here so we can get back to convention going!

We’ve definitely got some exciting things lined up for the coming year. Much of this is going to happen whether we get out of plague-world or not. So…just what do we have planned? Thank you for asking!

Crowdfunding

KS exclusive cover by Ben Dunn

We know that’s at the top of your list of questions: What’s next? What comics are we going to put into your hands? On January 14th we’ll launch our first for 2021. We’ll launch Silverline Double Feature: Teen Beetle #1 and Switchblade #1 RemiX. Both of the issues are complete and ready to print and ship as is the Silverline way (we’ve got a thing here or there on a cover or two, but the interiors are finished!)!

Teen Beetle is the new mini-series by Rochelle creator John Crowther. You’ve probably also seen John’s work in a whole slew of wrestling comics from Inverse Press. With art by long time industry veteran Dell Barras, Teen Beetle is a 3-issue mini-series and is part of the Rochelle universe. Teen Beetle is colored by GeriLou Smith and lettered by Hector Negrette. Ninja High School and Warrior Nun creator Ben Dunn provides a kickstarter exclusive cover.  

KS Exclusive cover by Mike W. Belcher and Aiden Belcher

Switchblade is the RemiX version of Switchblade #1 originally printed in black & white and on newsprint back in the late 90s. It has been digitally remastered and has been colored by Aiden Belcher (Man in the Mask). It was written by Roland Mann, pencilled by Leonard Kirk (Supergirl), inked by David Rowe, and lettered by Brad Thomte.

Here’s the link if you would like to sign up to be notified on launch: https://www.kickstarter.com/projects/rolandmann/teenbeetle1switchblade1

Beyond that, we know the kickstarter schedule, if not the exact titles. We know, we’re stinkers like that, not telling you what’s when. So, we plan to have crowdfunders run: March 9-28, May 4-23, July 6-25, Sept 7-26, and Nov 9-28. That’s six total kickstarters for the year—one every other month—bringing you what should be TWELVE comics! (unless we do another double like Trumps—then it will be MORE!) So…start socking away your pennies so you can get in on these. They’re always special.

While we can’t tell you the exact titles for specific dates, what we CAN tell you, though, is what you should be seeing. (remember, not necessarily in this order!)

All these Silverline comics are VERY close to being done:

panel from Kayless #3

Kayless #3 and #4 (of 4); Twilight Grimm #2 (of 4); Divinity #2 (of 4); Silverline Team-Up: Champion and Ms Fury #1 (of 4).

These are pretty close:

Friar Rush #2 (of 3); Rejects #1 (of 3); Steam Patriots #1 (of 4); Beah #1 (of 4); Wolf Hunter #1 (of 3); Cat & Mouse #1 (volume 3!)

These are still early in production…but we’re still excited about them.

Cat & Mouse #4; Trumps Book 2; Capetown #1.

Streams

We’ll continue doing the Silver Sunday and Wednesday Wham streams every Sunday and Wednesday night at 9pm (EST). While we’ve got a short list of topics, what are some thing YOU would you like to hear us talk about? Don’t be shy, speak up!

In case you have forgotten (or never knew), we stream on Facebook (https://www.facebook.com/SilverlineComics), on Youtube (https://www.youtube.com/silverlinecomics) and on Twitch (https://www.twitch.tv/silverlinecomics). Free to watch! 😉

Roland has pitched some ideas out to the Silverline team and there’s very likely more content coming on the Silverline channels! Stay tuned.

Discord

Yes, we’ve got a Discord server. Yes, it’s live. No, it’s not terribly active, but we’re working on fixing that. It came as a result of our recent foray into gaming. “Gaming?” you say. Yes…but more on that later. For now, here is your invite to join our discord server: https://discord.gg/4SFwhtUJz8

Podcasts

Silverline Sunday stream producer Brett is hard at work turning the streams into podcasts. The goal is to have them start hitting around February. So, if you prefer podcasts over visual streams, this might be a way for you to get your Silverline team fix.

Special items for ‘21

If you supported any of our kickstarters with a physical reward, you should have received the first ever Silverline Christmas card. We were SO excited to make that happen as just something small to let you all know we appreciate you so much.

The other thing you may not have seen yet is the very first ever Silverline poster! Yes, that’s right, it’s 18X24 and needs a place on your wall! They’ll be available live at conventions or you can have one mailed to you. It’ll be available through the Facebook Store…very soon.

The Silverline Signature Book will be available soon on IndyPlanet and at conventions near you. The twenty lucky Mystery Box winners got the 20 first ever limited run, but now everyone else can pick up a copy.

Project news

The addition of John Crowther’s Teen Beetle led to additional talks, and while nothing is solidified yet, we’re happy to announce that Silverline will be the home for a new volume of Rochelle the Teen Cockroach! More to come on that later.

What’s the status of the other titles?

Cat & Mouse

Alex Gallimore is working on pencilling issue #4, the last issue of Cat & Mouse volume 2. Just a few pages in, this will be the final issue and will be the first of the series started to finish.

Several of you Cat & Mouse fans asked me if that was it, though, and I’m happy to tell you that it is NOT it for Cat & Mouse. In fact, Wubba Fett is already about half-way finished with the pencils for #1 of volume 3! My pal Jeff Whiting will be inking and you’re going to absolutely LOVE what you see.

art for volume 3 of Cat & Mouse by Wubba Fett (p) and Jeff Whiting (i)

Fans of Alex, don’t fret, though. While #4 (v2) is Alex’s last issue of C&M, Alex has fallen in love with Demon (haven’t we all?) and is actually chomping at the bit to tell a new Demon story. He’s so excited, he’s already recruited Thomas Florimonte on to ink it!

Kayless

Kayless #3 is nearly done. It’s completely lettered (by Brad Thomte) and a little more than half colored. Kayless #4 has about 10 pages of pencils and inks, so it should be the 2nd series to wrap up this year.

Divinity

panels from Divinity #2 by Alex Sarabia (p) and Barb Kaalberg (i, c)

Alex Sarabia has just started pencilling issue #3 of Divinity while creator Barb Kaalberg finishes up the colors. Barb took on the colors when Steve Mattsson had to step aside. Barb is doing a bang-up job on the colors!

Twilight Grimm

Rob Davis has finished the third issue. Yes, you read correctly, the third issue! And he’s working on #4 as we type. Issue #2 is still being both lettered and colored, but we anticipate completion literally any day now. Twilight Grimm will likely be the third completed mini of Silverline thanks to Rob’s blue collar work ethic in getting the work done!

Friar Rush

Friar Rush #2 is a little over half inked by John Martin, but it is completely lettered.

work from Friar Rush #2 by Aaron Humphres (p) and John Martin (i)

Trumps

Thomas Hedglen is working on a special Trumps…”thing” before beginning issue #3 (or the first part of Book 2)…and we think you’re going to like the thing he’s working on! Hopefully within just a few weeks he’ll be starting on issue #3.

Rejects

C. Michael Lanning has completed the pencils for the first issue and WOW—you’re going to be blown away by what he’s done. Rebecca Winslow is just getting into the inks, but hopefully we can start showing you some of that soon, as well as C. Michael’s pencilling on #2 (which he will likely do some of during the live stream!).

work from Rejects #1 by C. Michael Lanning (p) and Rebecca Winslow (i)

Silverline Team-Up: Champion and Miss Fury #1 (of 4)

Started out as a Champion solo comic…then Roland decided to add Miss Fury (she’s public domain AND he did the first “new” work after Tarpe Mills in the early 90s Miss Fury mini-series by Malibu)…and the title became what it is now. Peter Clinton has done a bang up job on the first issue. Keep you eyes on Pete—he’s a shooting star! Roland has finished the script (done Marvel style), and Thomas Florimonte is working on the inks. Roberta has colored a single page and the cover and should get on more of them as Tommy finished the inks. Meanwhile, Peter has already started pencils for issue #2!

work from Silverline Team-Up: Champion and Miss Fury by Peter Clinton (p), Thomas Florimonte (i) and Roberta Conroy (c)

White Devil

White Devil #1 is being colored by Phil Leon. We hope to have the first issue complete VERY soon. Issue #2 is lined up and waiting for him to complete #1, and Issue #3 is in the hands of inker Chuck Bordell.

art from White Devil #1 by Jaxon Renick (p) and Mike Keeney (i)

Steam Patriots

Issue #1 is being colored and lettered and should be done soon.

Beah

Haley Martin has finished roughly 6 pages of full pencil/inks/colors—she’s doing all the art! Be sure to catch her working on the pages during the Wednesday live stream.

art from Beah by Haley Martin

Wolf Hunter

pencils for Wolf Hunter by AJ Cassetta

AJ Cassetta is nearly done with the pencils for issue #1.

Capetown

The script for the first issue is done, and JW Franklin is waiting on Roland to release a final script to him so he can start drawing!

Teen Beetle

Issue #2 is just starting production.

Sniper & Rook

Should see the first issue of the new volume ready very soon!

RemiX

Several books are part of the RemiX line from Silverline. Switchblade is the first to see the light of day. These titles were originally published in the 90s in black and white and on newsprint. They have been (are being) digitally remastered and then colored to be released in the new RemiX format.

Jeremy Kahn is wrapping up coloring issue #5 (of 5) of Krey; David Rios is coloring issue #4 (of 4) of Demon’s Tails; Roberta Conroy is coloring #3 (of 4) of Pendulum; Barb Kaalberg is coloring #3 (of 4) of Sirens; Scott Gordon is coloring #3 (of 4) of SilverStorm V2; Eric Rossberg is nearly finished with #1 (of 4) of Scary Book; and Rebecca Winslow is slated to color Marauder.

Like we said, we’ve got a lot of fun stuff coming your way…and that’s what comics should be: FUN!

Remember to #makeminesilverline

29Dec/20

Silverline: Review of Year 2

Silverline: Review of Year 2

Merry Christmas and Happy Holidays to one and all. From all of us here at Silverline, we wish you and yours a very happy and safe holiday season! Love up on and cherish your loved ones!

So, despite the fact that the Plague raged over the earth, 2020 was a pretty good year for Silverline. We ran AND FULFILLED 4 successful kickstarter campaigns and we started the Silverline live streams…which has been more successful than we had imagined.

Crowdfunding

In March, we funded and shipped Kayless #2. We’ve had problems getting the art because this campaign was at the beginning of the global lockdown and the art sent from Luis got held up in Argentina…then it came to the US…and went back to Argentina…and went back to the US…then it went to Panama (why? We have no clue)…then it finally made its way back to Luis. Luis will be in the US shortly and is going to ship the art to me from wherever he is. Kayless is the brainchild of writer Brent T. Larson. It’s drawn by Luis Czerniawski with colors by Leandro Huergo and letters by Mike W. Belcher.

This would be the last of the “single issue” kickstarters of the year as production of comics ramped into high gear!

May saw the Silverline Double Feature Divinity #1 and Twilight Grimm #1. Divinity is the creation of long time industry inker (she also inks Silverline’s Cat & Mouse) Barb Kaalberg, her very first creator owned projects (we’re pretty sure it won’t be the last, judging by your responses). Barb was joined by penciller Alex Sarabia, colorists Steve and Sage Mattsson, and letterer Mike W. Belcher. Twilight Grimm reunited a creative team from the 1980s in hooking up writer R.A. Jones with artist Rob Davis. Mike W. Belcher lettered and Mickey Clausen supplied the colors. Again, based on your comments, you’re glad we made that reunion happen!

July saw Silverline Double Feature #2 with Bloodline and Friar Rush #1. Both projects written by Sidney Williams, Bloodline is the comic adaptation of the short story written by him and horror writer Rob Petit. Bloodline was pencilled by Zombie art specialist Rob Sacchetto with inks by veteran industry inker Terry Pallot, letters by Brian Dale, and colors by Jeremy Kahn. Friar Rush #1 is the first of a three issue mini with pencils by Aaron Humphres, inks by John Martin, letters by Brian Dale, and colors by Rebecca Winslow.

September saw Silverline Two-Fer with Cat & Mouse #3 and Trumps Book 1. Trumps was essentially TWO issues, so it was too big to do the double feature flip book…so it was a Two-Fer instead. Both titles are written by Roland Mann, and Cat & Mouse #3 is pencilled by Alex Gallimore, inked by Barb Kaalberg, lettered by Brian Dale, and colored by Kevin Gallegly. Trumps was pencilled by Anthony Pereira and Thomas Hedglen, inked by industry veteran Thomas Florimonte, lettered by Brian Dale, and colored by Sid VenBlu.

If you missed them, they’re both available with our friends at IndyPlanet! www.indyplanet.com/silverline

Streaming

We started weekly streaming on Wednesday March 18. We hadn’t anticipated the Pandemic (who did, right?), but it was something we’d talked about a bit. We launched on three different platforms live: Facebook, Youtube, and Twitch. Our numbers grew and we enjoyed it so much—and you seemed to enjoy it as well, that just three months later we added a second and third stream.

On Sunday June 8, we started streaming weekly on Sundays, effectively splitting our stream team in half. Scott Wakefield, co-writer of the upcoming Steam Patriots, took over as host of the Wednesday Wham, and Roland started hosting the Silver Sundays. For several months there was a mostly-weekly Monday 1on1 stream where Roland talked one on one with Silverline team members. That went on for about 2 months and then the Monday stream went to once a month and teamed up with OCD for a “Silverline Spotlight.”

Conventions!

Well…Plague.

In November, however, ComiConway in Conway Arkansas decided to take their show virtual as well as very limited on the spot. Silverline participated in a big way virtually, doing a four-hour block of panels each of the three Saturday mornings! One of the days we were streamed AT the convention itself! We absolutely had a blast doing them and we were very happy to help the convention bring geeky-goodness to those who support them. We’re hoping we’ll be able to get a gaggle of us there live in 2021!

New Projects

We think we already had a pretty impressive lineup of comics with Cat & Mouse (v2), Kayless, Divinity, Twilight Grimm, Bloodline, Friar Rush, and upcoming Sniper & Rook.

We gave the okay and put into production EIGHT new projects!

Steam Patriots, Beah, Silverline Team-Up: Champion and Miss Fury, Teen Beetle, Rejects, Wolf Hunter, Capetown, and Satin’s Ways. If you’ve been watching the streams, you’ve seen several of these in the actual production process. We’ll talk more about them in the upcoming 2021 Silverline Preview!

ReMix

We’d been working on getting some of the classic Silverline comics colored to give them a second life, but there was really no solid plan other than to just “do them.” Silverline Creative Director Kurtis Fujita conceived a plan for our Silverline REMIX that will present some of the older Silverline titles, but in color. There are still details to work out, but it’s exciting to be able to bring this closer to life.

As noted, 2020 has been a pretty good year for Silverline…we’re excited to see where 2021 will take us!

#makeminesilverline